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Akai EWI4000S |
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Akai
Akai EWI4000S Akai EWI4000S Description: Electronic Wind Instrument with MIDI I/O and built in sound engine The Akai Professional EWI4000S is a giant leap in the evolution of wind instruments. At the heart of the EWI4000S is its built?in sound module. A first in the industry, this module lets musicians plug a wireless MIDI or audio set up into the base of the EWI, and move freely around the stage without being tethered by wires. At Akai Professional, we understand that artists want to concentrate on creating and performing music, not manipulating buttons, so we've made the breath, vibrato, glide time, and bend width controls easily accessible and totally adjustable. Plus, the included software lets both Windows and Mac users edit, customize, store and recall sounds with their computer. With incredible versatility, ultimate mobility and unparalleled sound, the EWI4000S puts the high tech musical revolution at your fingertips. Applications/Customers: Live and Studio Performance Electronic Wind Players Akai EWI4000S Features: Electronic Valve Instrument (EVI) fingering mode for brass players Touch sensitive keys and octave roller for quick and responsive playing Sensitive breath sensor for expressive dynamics Built?in analog modeling synth sound module Built?in MIDI output for use with sound modules PC and Mac Editor software for customizing, storing and instantly recalling internal sounds Lightweight and portable design with battery power Akai EWI4000S Specifications: Sound Generator Analog Modeling Synth Preset Sounds with 2 VCO + 2 VCF, Dual Voice Analog Modeling Basic direct editing capability on the EWI4000. PC and Mac editing software included for extensive sound editing Effects Chorus Delay Reverb General 2 Digit 7 Segment LED Program Display Shows program number when the Program Change sensor is touched Standard accessories: Software CD HOLD key for playing second note while sustaining first note Connections Audio Out: 1/4" phone jack- unbalanced Headphone Output: 1/8" stereo jack MIDI Out x 1, MIDI In x 1 AC Adaptor input Cable Holder to prevent cables from slipping off the EWI4000S during performance Power Battery power using AA batteries Optional AC Adaptor Get your Akai EWI4000S today! |
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Akai MPC1000 |
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Akai
Akai MPC1000 Akai MPC1000BK Description: 64 track 32 voice sampling sequencer. Built in FX and 6 assignable outs PRODUCTION POWER, ON THE MOVE. Inheriting all the essential features which make the MPC series so iconic, the MPC1000 is not only a perfect complement to its larger MPC siblings, but a powerful Music Production Center in its own right. The MPC1000 combines a 64?Track MIDI Sequencer and a 32?voice Stereo Digital Sampler, with 16 velocity and pressure sensitive rubber pads. 16MB of on?board memory comes standard and can be expanded up to 128 MB of RAM. You can save your work to a Standard Compact Flash Card (up to 2GB). A preloaded CF card is included, to get you going. When connected to a Mac or PC via its built?in USB port, you can simply drag & drop data between the computer and the MPC1000's CF card. Incredibly portable, the MPC1000 is small and ruggedly designed, to easily fit in a backpack or laptop bag for the traveling producer. The perfect machine to quickly create punchy beats. Anyone who wanted an MPC but could not afford it! Typically: Hip-Hop and R and B artist or "Producer", as well as DJ/Live Club performer. Akai MPC1000BK Features: Pattern?based and linear 64?track sequencer with 32 MIDI channels 32?voice drum/phrase sampler with up to 128MB RAM Velocity and pressure sensitive pads for expressive programming 16 levels function: one sound on all pads with varied level, tuning, attack, decay or filter per pad Two Q?Link sliders for real?time performance control Built?in Compact Flash drive and USB port (Mass Storage Class) Standard WAV files samples and MIDI Files sequences Built?in Analog and Digital I/Os, headphone output and 2 x MIDI In /Out Internal sounds in flash 4?way sample layering and velocity switching per pad 4?pole filters (two 2?pole filters) filtering for each of the 32 voices 2 onboard effects processors plus 1 main out effect processor; all which can be used simultaneously Can resample its own output Optional available accessory: 128MB Ram Expansion (EXM128) Akai MPC1000BK Specifications: Sound Generator Data format: 16-bit linear WAV Sampling rate: 44.1 kHz Memory: 16MB standard (11.5MB sound memory), expandable to 128MB with EXM128 option Preset sound memory: 5MB Flash Recording time: 136 sec (16MB mono) 24m28sec (128MB mono) Polyphony: 32-voice Filters: 2 x 2-pole filters per voice Filter types: Low pass, band pass, high pass Number of active programs: 24 (with 64 pads per program) Effects 2 general effects: Chorus, Flanger, 4-band EQ, Bit-Grunger, Compressor, Phaser, Tremolo, Auto Pan, Reverb Master effect: 4 band EQ, Compressor Sequencer Capacity: 100,000 notes Resolution: 96ppq 99 Sequences 64 Tracks per sequence 32 MIDI output channels (16 channels x 2 output ports) Song mode: 20 songs, 250 steps per song MIDI Clock Sync: Master/Slave Drumpads 16 velocity and pressure sensitive pads 4 pad banks 16 Levels: Velocity, Tuning, Filter Cutoff, Attack, Decay |
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Akai MPC2500 |
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Akai
Akai MPC2500 Akai MPC2500 Description: 64 track 32 voice sampling sequencer. Built in FX and 10 assignable outs THE PLATINUM STANDARD IN SAMPLERS GETS EVEN BETTER. The new MPC2500 Music Production Center is the recognized industry standard, a 32-voice drum/phrase sampler with up to 128 MB of RAM and extensive editing control. Designed for professional music production environments and DJs and live club performers, the MPC2500 features a time-tested user interface, responsive velocity- and pressure-sensitive pads, twin onboard effects processors, four Q-Link controllers (two sliders/two knobs) for extensive real-time control, plus 10 outputs and a S/PDIF digital output. The ultra-powerful MPC2500 sports a 100,000 note/64 track MIDI sequencer that can be assigned to four separate MIDI outputs for a total of 64 independently addressable MIDI channels. Internal sounds reside in flash memory and can easily be swapped for new sounds via compact flash cards, optional user installable hard drive, or the optional CD-ROM drive. A CF card with preloaded sounds is included to get you started. Akai Professional, in its pursuit to remain the leader of digital sampling technology has released the MPC2500. This unit designed for professional audio production, offers drum programming, sequencing, and sampling capabilities. Artists now have the luxury of producing music with a compact music composition center. Applications: Sampling and creating beats MIDI sequencing Live Performance Akai MPC2500 Features: 32-voice drum/phrase sampler with 16MB memory built in, expandable up to 128MB RAM 2 onboard effects processors and a main out effects processor 2 assignable Q-link sliders and knobs for real-time performance control 240 x 64 hinged backlit LCD USB port for computer connectivity Built-in Analog and Digital I/Os, headphone output and 2 MIDI In/4 MIDI Out Chop-shop- slices a loop into individual samples with automatic pad assignment Patched phrase - synchronizes phrase samples to any tempo without changing pitch Continuous sample track - records long audio tracks into a sequence Can resample its own output Audio input thru with Q-link control for real-time control 10 built-in analog outputs, plus stereo Digital I/O Optional available accessories include 128MB Ram Expansion (EXM128), CD ROM Installation Kit (including CD ROM Drive - CD-M25) Akai MPC2500 Specifications: Sound Generator Data format: 16-bit linear WAV Sampling rate: 44.1 kHz Memory: 16MB standard (11.5MB sound memory), expandable to 128MB with EXM128 option Preset sound memory: 5MB Flash Recording time: 136 sec (16MB mono) 24m28sec (128MB mono) Polyphony: 32-voice Dynamic filtering 2 x 2-pole filter per voice Filter types: Low pass, band pass, high pass Number of active programs: 24 (with 64 pads per program) Effects Effects 2 stereo effects and Master effect Effect type Chorus, Flanger, Bit grunger, 4 band EQ, Compressor, Phase shifter, Tremolo, Flying Pan, Reverb, De |
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Akai MPC500 |
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Akai
Akai MPC500 Akai MPC500 Description: TAKE THE MPC PLATINUM STANDARD EVERYWHERE YOU GO. 48 track 32 voice sampling sequencer. Built in FX. Battery or AC The MPC500 is the first truly portable all-in-one Music Production Center, affording artists the ability to sample and create music on-the-go. Whether you travel around the globe for hit-making sessions or across town to link up for a casual beatmaking hang, the MPC500 is the ultimate answer to your mobile production needs. Fully compatible with the legendary MPC line, you can work anywhere with the MPC500's battery-powered capability and drop them back into your MPC2500 when you get back to the studio. The MPC500 combines a 48-Track MIDI Sequencer and a 32-voice Stereo Digital Sampler, with 12 velocity and pressure sensitive rubber pads. 16MB of on-board memory comes standard and can be expanded up to 128 MB of RAM. When connected to a Mac or PC via its built-in USB port, you can simply drag & drop data between the computer and the MPC500's CF card. Compatible with other MPC products, the MPC500 extends users' studios to fit in with their mobile lifestyles. Applications: Sampling and Beat Creation MIDI sequencing Live Performance Travelling Akai MPC500 Features: Battery powered (6 AA's) or AC powered (with included power adaptor) Pattern-based 48-track sequencer with 16 MIDI channels 32-voice drum/phrase sampler with up to 128MB RAM Velocity and pressure sensitive pads for responsive, accurate programming 12 Levels function: one sound on all pads with varied level or tuning per pad Built-in Compact Flash drive and USB port (Mass Storage Class) Support for standard WAV files and MIDI sequences Built-in Analog I/O, headphone output, and MIDI In/Out Internal sounds in Flash 4-way sample layering and velocity switching per pad 1 low pass filter with resonance per voice On-board effects: 2 stereo effects and a Master effect Akai MPC500 Specifications: Sound Generator Data format: 16-bit linear WAV Sampling rate: 44.1 kHz Memory: 16MB standard (11.5MB sound memory), expandable to 128MB with EXM128 option Preset sound memory: 5MB Flash Recording time: 136 sec (16MB mono) 24m28sec (128MB mono) Polyphony: 32-voice Dynamic filtering: 2-pole lowpass filter per voice Number of active programs: 24 (with 48 pads per program) Effects Effects: 2 stereo effects and Master effect Effect type: Chorus, Flanger, Bit grunger, 4 band EQ, Compressor, Phase shifter, Tremolo, Flying pan, Reverb, Delay Master effect: 4 band EQ, Compressor Sequencer Maximum events: 100,000 notes Resolution: 96ppq 99 Sequences 48 Tracks per sequence 16 MIDI output channels (16 channels x 1 output ports) Song mode: 20 songs, 250 steps per song MIDI Clock Sync: Master/Slave Drumpads 12 velocity and pressure sensitive pads 4 pad banks Connections Record input (L and R): 1/4-inch stereo phone x 2, pseudo balanced -40dBu, input impedance 9k ohm; Max. Input level: +10dBu Stereo output (L and R): 1/4 |
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Akai MPC5000 |
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Akai
Akai MPC5000 Akai MPC5000 Description: Flagship Music Production Center, sampler, sequencer, 8 track recorder, synth LEGENDARY MPC FEEL AND WORKFLOW WITH A GREATLY EXPANDED FEATURE SET. The MPC series set the standard for beat production. What would it take to make the ultimate MPC? Dozens of engineers, 20 years of experience and a new synth and drum sampling engine unlike any MPC ever. Introducing the MPC5000; the new standard for music production. The MPC5000 is the first MPC ever to include 8-track streaming hard disk recording, a 20-voice, 3-oscillator analog synthesizer with arpeggiator, a new sequencing engine with 960 ppq resolution, pad and track muting and mixing, 64 continuous sample tracks. There's even a new FX engine with 4 FX buses and 2FX per bus. In addition, the MPC5000 features a 64-voice drum/phrase sampler with 64MB memory - expandable up to 192MB. The display is twice the size of the MPC2500 and MPC1000 so waveforms appear crystal-clear. Integrated Chop Shop 2.0 now supports stereo chops and Patched Phrases. The MPC5000 is also the first MPC to include Random and Cycle sample playback in addition to velocity Zone Play. A turntable preamp is also included. The MPC5000's virtual analog synth eliminates need for external analog synth modules or buggy software based synthesizers. The new 8-track direct to disk recorder lets you produce your whole song in the MPC and then mix it down with the internal sequenced programs and any input thru material. Add the optional CD/DVD drive and you can then burn an audio or data CD or your mix. Over 650MB of premium-quality sounds from Loopmasters are included to get you up and running with pro-quality production in seconds. Akai MPC5000 Features: 64-voice drum/phrase sampler with 64MB memory built-in. Expandable up to 192MB RAM Three-oscillator virtual analog synth engine with built-in arpeggiator Over 300 Virtual Analog synth presets included Eight tracks of Direct-to-Hard Disk recording Over 40 all new effects available within a modular 4-bus effects processor Master compressor and equalizer Built-in hard disk drive Optional CD-R/DVD drive USB 2.0 port for computer connectivity CF Type-2 card slot (up to 2GB) Chop-Shop 2.0 - slices a stereo loop into individual samples with automatic pad assignment Patched Phrases - creates multiple splits in looped samples to ensure proper tempo sync without changing pitch Continuous Sample Track - ensures samples play in perfect sync no matter where you start the beat in a loop 12 Q-link controllers for internal automation, external MIDI control and quick parameter editing 240 x 128 hinged backlit LCD 10 built-in analog outputs, plus 8 ADAT-optical outputs and stereo S/PDIF IO Powerful new multimode filter Two MIDI inputs and Four MIDI outputs Turntable phono inputs with RIAA pre-amp XLR / 1/4" combo jacks with selectable mic/line levels Sample library provided by Loopmasters.com Akai MPC5000 Specifications: Dimensions [W |
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AKG AS4+3 |
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AKG
AKG AS4+3 AKG AS4+3 Description: Seven channel automixer, 4 mic inputs, 3 line inputs. Automatic mixer with four gated microphone inputs and three line level inputs. The microphone inputs provide switchable 24-V phantom power and an integrated, adjustable compressor/leveler that compensates for variations in level due to variations in working distance. The microphone inputs and line output are on balanced 3-pin XLR connectors, the line inputs and recording output on unbalanced RCA connectors. A switchable ducking function will attenuate all other channels when signal is present at the MIC 1 input. Bass and treble controls in the master output section allow the sound of the main output signal to be matched to individual requirements. The AS 4+3 can be daisy-chained if more than four microphone inputs are needed. AKG AS4+3 Features: Four automatic microphone inputs Three line level inputs Integrated compressor/leveler - Ducking function Four Microphone and Three Line Inputs The AS 4+3 features four balanced XLR microphone and three unbalanced RCA line inputs. Automatic Level Control The microphone inputs feature adjustable compressor/leveler controls for establishing a constant, uniform audio level throughout the program. Assignable Priority Ducking Channel one is assigned priority and attenuates (lowers) all other microphone inputs by 12dB when signal is present. Dip switches assign which channels are exempted from ducking. 24 Volt Phantom Power The microphone inputs feature individually switched +24V phantom power for use with condenser microphones. Bass and Treble Controls Bass and treble tone controls are provided on the front panel. Daisy-Chain Input The AS 4+3 mixers may be daisy-chained for multiple operation. Rackmount Frame The AS 4+3 features a single space, 19-inch rackmount frame for easy storage and transport. AKG AS4+3 Specifications: Total # Of Inputs 7 Mic/Line Inputs Balanced XLR Microphone x4 Unbalanced RCA Line x3 Stereo Line Inputs No In-Line Inputs/Returns No AUX Sends No AUX Returns No Inserts No BUS (Group) Outputs No 2 Trk Master I/O Balanced XLR Line Output Unbalanced RCA Record Output Unbalanced RCA Record Input ALT I/O Expansion Port Connection for daisy-chain of multiple AS 4+3 mixers Monitor Outputs No EQ Section Bass and Treble Tone Controls Solo/Mute No Channel Level Control Rotary Dials Trim/Gain Control No Phantom Power +24 volt Metering Peak LED Indicators (Mic Channels 1-4) Frequency Response 20Hz to 45kHz Dynamic Range Not Specified By Manufacturer Signal-to-Noise Ratio 75dB (20Hz to 22kHz, RMS) Total Harmonic Distortion (THD) Power Supply 5W max. @ 12VAC Dimensions (WxHxD) 19 x 1.7 x 7" (483 x 44 x 180mm) Weight 5.5 lbs (2.5 kg) Get your AKG AS4+3 today! |
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AKG AS8TC |
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AKG
AKG AS8TC AKG AS8TC Description: Processor controlled automatic mixer with eight balanced microphone inputs and one master output. A unique APG (Adaptive Proportional Gain) algorithm automatically allocates gain among the system microphones. An Adaptive Skewing function keeps non-speech sounds (coughs, bumps, clicks and pops) from affecting the automatic mixing functions. A compressor/leveler is included in the algorithm to compensate for level differences and provide a significant improvement in sound quality. Input and output levels, Auto/Direct mode, and compressor/leveler threshold can be remote controlled from a PC or other RS 232 compatible control system, e.g., Crestron or AMX. AKG AS8TC Features: Automatic mixer with patented mixing algorithm Requires no manual threshold setting even in noisy or changing environments Remote control via RS 232 or analog interface Several units can be daisy-chained AKG AS8TC Specifications: Automatic eight channel microprocessor controlled Mixer. "Adaptive Proportional-Gain"-algorithm allocates gain among the system microphones. NOM (number of open microphones) attenuation and adaptive threshold are inherent in the algorithm. Inputs are symmetrical as well as main output. Channel outputs are assymetrical. Each channel has switchable input gain (Mic-low/Mic-high/Linelevel), switchable phantompower and switchable automatic function. LED controlls for activated channels are situated on front panel. Integrated adjustable compressor/leveler. Possibility of analoge remote control of channel and main levels. Possibility of remote control via RS 232 for PC, Crestron,AMX and other control systems. Required software (LecNet) included. Power consumption max. 10 W at 230 V with inline 20 VAC AC adapter. Size: 483 x 44 x 203 mm (B x H x T) = 19"x1.75"x8" - 1 HE. Weight 1.5 kg (3 lbs, 4 oz.). Get your AKG AS8TC today! |
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AKG C12VR |
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AKG
AKG C12VR AKG C12VR Description: One of the most famous tube microphones in the history of recording was the legendary AKG C 12. In spite of vast changes in microphone engineering, these microphones in good condition are still very much sought after and extremely expensive. Therefore, studio engineers vigorously demanded a rerun.The C 12 VR is an exact replica of the original C 12, from the cap-sule sound to the original 6072A vacuum tube. The only difference is that its self noise and some components were optimized to meet the current state of the art. No less than nine remotely selectable polar patterns, the legendary large-diaphragm capsule, and an original 6072A vacuum tube provide a sound that is simply beyond words. The C 12 VR comes complete with an aluminum carrying case, power supply, cable, windscreen, and spider type shock mount. AKG C12VR Features: Recreates the legendary C 12 tube microphone Nine remotely selectable polar patterns from omnidirectional to figure-eight Complete with many useful acces-sories and aluminum carrying case AKG C12VR Specifications: Polar pattern cardioid, omnidirectional, figure-eight, and 6 intermediate positions, remotely selectable Frequency range 30 to 20,000 Hz Max. SPL 128/138/148 db (k=3%) Equivalent noise level (CCIR 468-3) 32 db Equivalent noise level 22 dB-A Signal/noise ratio (A-weighted) 72 dB Preattenuation pad 10 dB, 20 dB, selectable Bass filter 6 dB/octave at 100 Hz, 12 dB/octave at 130 Hz Impedance 200 Ohm Recommended load impedance >1000 ohms Connector 12-pin DIN Cable 10 m (33 ft.) Net weight 680 g / 24 oz. Shipping weight 4.5 kg / 9.9 lbs. Patent(s) Electrostatic transducer (Patent no. AT 395.225, DE 4.103.784, JP 2.815.488) Get your AKG C12VR today! |
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AKG C12VR/SP |
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AKG
AKG C12VR/SP AKG C12VR/SP Description: Factory-matched stereo pair of C 12VRs One of the most famous tube microphones in the history of recording was the legendary AKG C 12. In spite of vast changes in microphone engineering, these microphones in good condition are still very much sought after and extremely expensive. Therefore, studio engineers vigorously demanded a rerun.The C 12 VR is an exact replica of the original C 12, from the cap-sule sound to the original 6072A vacuum tube. The only difference is that its self noise and some components were optimized to meet the current state of the art. No less than nine remotely selectable polar patterns, the legendary large-diaphragm capsule, and an original 6072A vacuum tube provide a sound that is simply beyond words. The C 12 VR comes complete with an aluminum carrying case, power supply, cable, windscreen, and spider type shock mount. AKG C12VR/SP Features: Recreates the legendary C 12 tube microphone Nine remotely selectable polar patterns from omnidirectional to figure-eight Complete with many useful acces-sories and aluminum carrying case AKG C12VR/SP Specifications: Polar pattern cardioid, omnidirectional, figure-eight, and 6 intermediate positions, remotely selectable Frequency range 30 to 20,000 Hz Max. SPL 128/138/148 db (k=3%) Equivalent noise level (CCIR 468-3) 32 db Equivalent noise level 22 dB-A Signal/noise ratio (A-weighted) 72 dB Preattenuation pad 10 dB, 20 dB, selectable Bass filter 6 dB/octave at 100 Hz, 12 dB/octave at 130 Hz Impedance 200 Ohm Recommended load impedance >1000 ohms Connector 12-pin DIN Cable 10 m (33 ft.) Net weight 680 g / 24 oz. Shipping weight 4.5 kg / 9.9 lbs. Patent(s) Electrostatic transducer (Patent no. AT 395.225, DE 4.103.784, JP 2.815.488) Get your AKG C12VR/SP today! |
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AKG C391B |
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AKG
C391B C391B Description: Versatile cardioid condenser microphone comprising an SE 300 B powering/output module and CK 91 cardioid capsule, foam windscreen, and stand adapter. AKG C391B Features: Switchable bass cut filter and 10-dB preattenuation pad Insensitive to handling noise High resistance to RF interference Capsules mount directly on SE 300 B powering unit or connects via 10-ft. (3-m) cable AKG C391B Specifications: Polar pattern cardioid Frequency range 20 to 20,000 Hz Sensitivity 10 mV/Pa (-40 dBV) Max. SPL 132/142 dB (for 1% THD) Equivalent noise level (CCIR 468-3) 28 dB Equivalent noise level 17 dB-A Signal/noise ratio (A-weighted) 77 dB Preattenuation pad 10 dB, switchable Bass filter 12 dB/octave at 75 Hz Impedance 200 ohms Recommended load impedance >1000 ohms Supply voltage 9 to 52 V phantom power to DIN 45596 Current consumption Connector 3-pin XLR Finish dark gray Net weight 115 g / 4 oz. Shipping weight 420 g / 14.8 oz. Get your AKG C391B today! |
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AKG C4000B |
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AKG
AKG C4000B AKG C4000B Description: The genuine 1-inch dual-diaphragm condenser transducer with selectable cardioid, omnidirectional, and hypercardioid polar patterns will enchant you with its unique state-of-the-art sound. Designed for miking up vocals, brass, acoustic and electric guitar, and kick drum, the C 4000 B can handle every recording situation. Exceptionally high headroom and extremely low self noise put the C 4000 B among the condenser microphones with the widest dynamic range available today and it will give equally excellent results in the studio and on stage. A switchable 10-dB preattenuation pad allows the C 4000 B to be used for close-in miking of instruments producing extremely high sound pressure levels such as guitar amps etc. A switchable bass cut filter eliminates low-frequency noise. AKG C4000B Features: One of the most silent condenser microphones available today Up front sound in the mix Selectable cardioid, hypercardioid, and omnidirectional polar patterns for every recording situation AKG C4000B Specifications: Polar pattern cardioid, hypercardioid, omnidirectional Frequency range 20 to 20,000 Hz Sensitivity 25 mV/Pa (-32 dBV) Max. SPL 145/155 dB (THD=0.5%) Equivalent noise level (CCIR 468-3) 19 dB Equivalent noise level 8 dB-A Signal/noise ratio (A-weighted) 86 dB Preattenuation pad 10 dB, switchable Bass filter 12 dB/octave at 100 Hz Impedance 200 ohms Recommended load impedance >1.000 ohms Supply voltage 9 to 52 V phantom power to DIN 45596 Current consumption Connector 3-pin XLR Finish silver gray Net weight 450 g / 1 lb. Shipping weight 1 kg / 2.2 lbs. Patent(s) Electrostatic transducer (Patent no. AT 395.225, DE 4.103.784, JP 2.815.488) Get your AKG C4000B today! |
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AKG C414B/XLII |
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AKG
AKG C414B/XLII AKG C414B/XLII Description: A classic microphone with a distinctive timbre especially designed for recording of solo vocals and solo instruments. With the introduction of the NeXt Generation C 414 B-XL models, AKG sets new benchmarks for useful features, improved technical specifications, ease of use and available accessories. All of these improvements are answers to requests from ever-demanding recording studios, broadcast stations and concert engineers, but with the basic sonic character of the legendary C 414 unaltered. AKG C414B/XLII Features: High sensitivity and extremely low self noise Five switchable polar patterns for placement and application flexibility Two-color LEDs provide quick visual indication of selected polar pattern and output overload Elastic capsule suspension greatly minimizes structurally-transmitted noise from chassis vibration H 85 professional shock mount/stand adapter, PF 80 external pop filter and W 414 X external windscreen. High sound pressure level capability and wide dynamic range Completely immune to electrostatic and electromagnetic interference from digital gear, computer monitors, etc. thanks to solid metal housing and transformerless output stage Three switchable bass cut filters and three pre-attenuation pads with LEDs for quick visual indication All switchable components operate in low impedance circuits for ultra-high reliability even in extremely humid conditions Optional R 414 remote control unit (under development) offers full control of all switchable parameters via standard microphone cable and 3-pin XLR-type connectors AKG C414B/XLII Specifications: Polar pattern Omnidirectional, wide cardioid, cardioid, hypercardioid, figure eight Signal/noise ratio (A-weighted) 88 dB Preattenuation pad -6 dB, -12 dB, -18 dB, switchable Bass cut filter slope 12 dB/octave at 40 Hz and 80 Hz; 6 dB/octave at 160 Hz Impedance Recommended load impedance >= 2,200 ohms Supply voltage 48 V phantom power to DIN/IEC Current consumption approximately 4.5 mA Dynamic range 134 dB minimum Connector 3-pin XLR to IEC Dimensions 50 x 38 x 160 mm (2.0 x 1.5 x 6.3 in.) Net weight 300 g (10.6 oz.) Patent(s) Electrostatic transducer (Patent no. AT 395.225, DE 4.103.784, JP 2.815.488) Get your AKG C414B/XLII today! |
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AKG C414B/XLII-ST |
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AKG
AKG C414B/XLII-ST Especially useful for stereo recordings taken from the far field with the inclusion of useful and often valuable room acoustics. The matched pairs consist of two microphones that are within 1 dB to each other in sensitivity and also within 1 dB to each other in the range of 300 Hz to 8,000 Hz of the individual frequency response when used in cardioid mode and are selected from a large quantity of individual microphones using the described criteria by using a proprietary computer program. Using this matched pair for stereo recordings utilizing various techniques will provide for a good and stable balance without frequency-dependent shifting of the stereo panorama. The kit includes all the standard accessories of the deluxe package (excluding the PF 80) along with a stereo bar and proof of performance charts in an attractive carrying case (large Soundtool case). AKG C414B/XLII-ST Features: High sensitivity and extremely low self noise Five switchable polar patterns for placement and application flexibility Two-color LEDs provide quick visual indication of selected polar pattern and output overload Elastic capsule suspension greatly minimizes structurally-transmitted noise from chassis vibration H 85 professional shock mount/stand adapter, PF 80 external pop filter and W 414 X external windscreen. High sound pressure level capability and wide dynamic range Completely immune to electrostatic and electromagnetic interference from digital gear, computer monitors, etc. thanks to solid metal housing and transformerless output stage Three switchable bass cut filters and three pre-attenuation pads with LEDs for quick visual indication All switchable components operate in low impedance circuits for ultra-high reliability even in extremely humid conditions Optional R 414 remote control unit (under development) offers full control of all switchable parameters via standard microphone cable and 3-pin XLR-type connectors AKG C414B/XLII-ST Specifications: Polar pattern Omnidirectional, wide cardioid, cardioid, hypercardioid, figure eight Signal/noise ratio (A-weighted) 88 dB Preattenuation pad -6 dB, -12 dB, -18 dB, switchable Bass cut filter slope 12 dB/octave at 40 Hz and 80 Hz; 6 dB/octave at 160 Hz Impedance Recommended load impedance >= 2,200 ohms Supply voltage 48 V phantom power to DIN/IEC Current consumption approximately 4.5 mA Dynamic range 134 dB minimum Connector 3-pin XLR to IEC Dimensions 50 x 38 x 160 mm (2.0 x 1.5 x 6.3 in.) Net weight 300 g (10.6 oz.) Patent(s) Electrostatic transducer (Patent no. AT 395.225, DE 4.103.784, JP 2.815.488) Get your AKG C414B/XLII-ST today! |
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