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Furman AR-20 II |
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Furman
Furman AR-20 II Furman AR-20 II Description: The Furman AR-20 Series II delivers a stable stream of AC power to protect equipment from problems caused by AC line voltage irregularities such as sags, brownouts, or over-voltages - all of which can cause sensitive electronic equipment to malfunction or sustain damage. Featuring a generous 20-amp capacity, the AR-20 Series II accepts any input voltage from 97V to 141V and transforms it to a constant 120V. Voltages beyond this range are also converted to usable levels, unless they are extremely far out of range, in which case the unit will automatically power down to prevent equipment damage. Furman AR-20 Series II Voltage Regulator at a Glance: Regulates, filters, and purifies AC power Delivers stable voltage with precision Regulated, spike-suppressed outlets Employs Furman's Series Multi-stage Protection Plus Linear Filtering Technology for noise-free AC SMP clamps over-voltages without sacrificing itself Extreme Voltage Shutdown powers down connected gear safely Furman AR-20 II Details: Regulates, filters, and purifies AC power The AR-20 Series II is the only 20-amp regulator that filters and purifies AC power, reducing line noise linearly and ensuring optimum performance. Your equipment will perform at optimum levels and will be fully protected from spikes and surges by Furman's exclusive SMP+ technology. This virtually maintenance-free surge suppression system incorporates Linear Filtering Technology (LiFT), Extreme Voltage Shutdown (E.V.S.), and high current TVZ MOVs to provide the highest level of power protection available - all without the need for servicing or replacement of the unit. Just install it in your rack and forget about it! Delivers stable voltage with precision The AR-20 Series II's circuitry monitors the incoming line voltage with each cycle, comparing it to an extremely precise voltage reference, accurate to 0.15%. The design is not sensitive to small errors in line frequency, making it ideal for use with generators. If a voltage fluctuation requires that a different tap be selected, the new tap is switched electronically at the zero-crossing, to avoid distorting the AC waveform. Regulated, spike-suppressed outlets The AR-20 Series II has 12 outlets on the rear panel and two convenience outlets on the front panel. All outlets are regulated, spike-suppressed, and filtered against radio frequency and electromagnetic interference. The 12 rear outlets are divided into two separate banks with bi-directional filtering for either analog or digital components. There are no controls except for the on-off switch. A digital meter indicates input voltage, while another LED indicates "In Regulation" status (i.e., that the output voltage is within 5V of 120V). The unit is housed in a compact, dual-space rackmount chassis. Employs Furman's Series Multi-stage Protection Plus SMP+ is Furman's proprietary surge suppression and noise filtration system. Designed over a period of two |
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Furman AR-PRO |
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Furman
Furman AR-PRO Furman AR-PRO Description: Furman AR-PRO Line Regulator The AR-PRO AC Line Voltage Regulator is intended to protect computer, audio, video and other electronic equipment from problems caused by AC line voltage irregularities-- sags, brownouts, or overvoltages that can cause sensitive digital equipment to malfunction, or, in extreme cases, to sustain damage. It accepts single phase input AC voltages anywhere within two capture ranges, 88 to 142 or 170 to 264 volts, and converts them to the North American standard 120 volts (or, if desired, 100V). Voltages outside the ranges may be converted to usable levels, depending on how far out of range they are and what is considered usable. For example, any voltage from 80 to 267 will be converted to 120V +9, -11. The AR-PRO can handle loads totalling up to 30 amperes as long as the input voltage is equal to or above 120V (low range) or 240V (high range). For voltages below that level, its capacity must be derated at approximately 250 mA per volt. Because the AR-PRO requires no switching to discriminate between a nominal 120V or a nominal 240V source, it can protect against a catastrophic error in AC mains wiring (for example, in live performance situations, where each act requires a special AC configuration, accidental connection to 220V occurs surprisingly often). This feature also makes the AR-PRO ideal as a component of a power distribution scheme suitable for worldwide use, accommodating national voltages of 100, 120, 220, 240, or others with equal ease and without need for readjustment. The AR-PRO uses a design based on a 25-tap toroidal autoformer. The toroidal design assures minimal leakage of stray magnetic fields and a highly efficient, compact package. The AR-PRO's circuitry monitors the incoming line voltage with each cycle. If a voltage change requires that a different tap be selected, the new tap is electronically switched in precisely at the zero-crossing, to avoid distorting the AC waveform. If necessary, the AR-PRO can switch taps as often as once each cycle. Most commercial voltage regulators using multiple-tapped transformers switch taps with relays at uncontrolled times, thereby creating voltage spikes! And unlike voltage regulators that employ ferro-resonant transformers, the AR-PRO is not sensitive to small errors in line frequency, making it ideal for use with generators. The AR-PRO has twelve convenience outlets on its rear panel, and two on the front panel. All outlets are regulated, spike-suppressed, and filtered against RFI with a 3-pole filter. There are no controls except a master circuit breaker, which serves as an on-off switch. Two bar-graph meters each comprised of 21 LED's each indicate input voltage and output current, while three other LED's indicate proper function (i.e., that the output voltage is within 5% of the selected voltage, or above or below that range). One or more units may be turned on remotely, either simultaneously or in sequence |
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Furman ASD-120 |
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Furman
Furman ASD-120 Furman ASD-120 Description: The ASD-120 AC Sequenced Power Distro is an extremely compact, low cost rackmount power distribution system that is ideal for touring PA systems, touring musical and theatrical acts, mobile recording facilities, on-location film and video shoots, etc.-any situation where AC power must be distributed to multiple circuits and a hard-wired, built-in system is missing, inadequate, or impractical. Use of a Power Distro is cost-effective, both in terms of the convenience it offers and the elimination of bulky and expensive parallel feeds and related connectors. The ASD-120 offers many more features as well. The ASD-120 allows you to power up and its six circuits in a sequenced fashion. The sequence is reversed for power down. The delay interval is user-adjustable via an internal trimpot. Power sequencing is needed whenever various kinds of equipment must be powered up or down in groups, rather than all simultaneously. In audio systems, sequenced powering is often necessary to allow turn-on transients from low level amplifiers and processors to settle down before any power amps are turned on, because simultaneous powering would result in a loud, annoying, and potentially destructive "pop" reaching the speakers. And in any large system whose components present an inductive load to the AC line (including electric motors, power supplies, and power amplifiers of all kinds), sequenced powering can avoid excessive inrush currents that cause circuit breakers to trip even though the steady-state currents are not excessive. The ASD-120's front panel provides a three-position switch for each circuit that allows each circuit to be part of the power up/down sequence, or to remain on or off apart from the sequence. An LED that indicates when either the power-up or power-down sequence is in progress. The sequence can be initiated with either momentary or maintained switches, locally or remotely. A duplex outlet is provided for each delay step. A locking switch with a removable key is provided for maximum security. Since the sequence control signals are also available on the rear panel, one or more ASD-120's may be installed in remote locations and operated via low-voltage control wiring. The sequence control signals can also drive PowerPorts, MiniPorts, PS-PRO and PS-8-R Power Sequencers, or any other circuits that need to know when their particular time delay has elapsed. Using one or more ASD-120's can provide the capability of controlling power and power sequencing for an entire system. The ASD-120 can handle up to 120 amps of incoming power, distributing it to six 20 amp, 120V circuits. Each circuit has a front panel status indicator that lights up when it is turned on, and a 20 amp duplex outlet on the rear panel. The ASD-120's design incorporates four oversized busses, allowing wiring for 120V or 240V single phase, or 208V three phase power. A strain relief clamp is provided that can accommodate a cable or wire bundle |
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Furman HDS-16 |
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Furman
Furman HDS-16 Description: Following up on the tremendous success of its HDS-6/ HR-6 Headphone/Audio Distribution System, Furman introduces an enlarged and enhanced system, the HDS-16/HRM-16 Headphone/Audio Distribution System. The HDS-16 Headphone/Audio Distribution System and HRM-16 Headphone/Audio Remote Mixer are the logical extension to Furman's very popular headphone amp/audio distribution lineup. These models are designed to function equally well for both live (in-ear or stage monitors) and studio applications, allowing greater flexibility and ease for both the user and the engineer. The double rack-space HDS-16 provides full patching functions on its front panel via 1/4" and TT input jacks, and is intended to be installed at the mixing console location. The HDS-16 provides power and signal conditioning to drive the HRM-16 Remote Mixers. There is no power cord or wall wart required for the HRM-16's. In addition, it includes two 1/4" jacks for the two-way talkback functions, and a SOLO REMOTE switch with an indicator that allows muting of all but one stereo feed at all HRM-16's. This comes in handy for isolating tracks for critical listening without having each HRM-16 user turn down all but one channel. The SOLO function also includes a 1/4" jack so actuation can be done with a footswitch. Front panel indicators include POWER ON and SOLO ON. The rear panel includes six Centronics 50 pin connectors to link up to six HRM-16's (more if daisy chaining is used), and the standard Furman ON/OFF and GROUND LIFT switches. The unique talkback system is extremely versatile. It can be configured two different ways by moving a jumper on the circuit board in the HDS-16. One way allows the talkback mic on each HRM-16 to be fed to all of the other HRM-16 units as well as the HDS-16. The other configuration allows communication to the HDS-16 only. This is particularly useful for stage use where the user's talkback mic should not feed into all of the monitors (including the user's own monitor). Connecting HDS-16 and HRM-16s is easy, as each mixer is supplied with a 25-foot super-flexible interconnect cable which can easily be extended or routed through walls and daisy chained to other HRM-16s. Cable extenders and thru-wall installation kits are available as well. Furman HDS-16 Features: Every artist in the studio or on stage can have a custom headphone/monitor mix without any adjustments at the board Perfect for tracking, overdubbing, rehearsal sessions, and onstage monitor mixing HDS-16 rackmount distribution system connects to the studio console and routes 8 mono and 4 stereo signals to HRM-16 remote mixing stations via a single multi-pair cable The HRM-16 Remote Mixer may either attach to a mic stand or be set on a shelf or table, allowing headphone/monitor mixes to be created on the fly Talkback system allows each HRM-16 mixer user to communicate with other users and the main mixing location One 25 foot (7.7m) HDS-16 to HRM-16 linking cable is in |
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Furman HRM-16 |
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Furman
Furman HRM-16 Furman HRM-16 Description: Following up on the tremendous success of its HDS-6/ HR-6 Headphone/Audio Distribution System, Furman introduces an enlarged and enhanced system, the HDS-16/HRM-16 Headphone/Audio Distribution System. The HDS-16 Headphone/Audio Distribution System and HRM-16 Headphone/Audio Remote Mixer are the logical extension to Furman's very popular headphone amp/audio distribution lineup. These models are designed to function equally well for both live (in-ear or stage monitors) and studio applications, allowing greater flexibility and ease for both the user and the engineer. The HDS-16/HRM-16 Headphone/Audio Distribution System cleanly routes 8 mono and 4 stereo signals to remote mixing locations via Centronics 50 pin cables. Up to eight HRM-16's can be connected directly or daisy chained to a single HDS-16, allowing as many as sixteen users (two per each HRM-16) to customize eight different mixes. A unique talkback system allows each user to communicate with other users and the main mixing location. Additionally, a SOLO system allows the engineer to mute all but one stereo send from the mix location -- very handy for reviewing recent takes or rough mixes. Additional HRM-16 features include local effects send/return, line out, overall bass/treble controls, talkback level, and a master level control. The HRM-16 Remote Mixer may either attach to a mic stand with the included mic stand clip and hardware, or be placed on a table or shelf. The unit requires no external power, and allows full volume/low distortion headphone mixes to be created on the fly. The eight mono and four stereo signals each have level controls. Each mono channel also has a pan control and an effects send control which feeds its own rear panel 1/4" send/return jacks; the affected signal is returned into the mix and controlled via a stereo effects return knob. Also on the rear panel of the HRM-16 is a mono line out 1/4" jack to drive stage or in-ear monitors, a jack for a talk-back footswitch, and two 50 pin Centronics connectors to allow daisy chaining of up to four HRM-16's. Connecting HDS-16 and HRM-16s is easy, as each mixer is supplied with a 25-foot super-flexible interconnect cable which can easily be extended or routed through walls and daisy chained to other HRM-16s. Cable extenders and thru-wall installation kits are available as well (see below). Furman HRM-16 Features: Every artist in the studio or on stage can have a custom headphone/monitor mix without any adjustments at the board Perfect for tracking, overdubbing, rehearsal sessions, and onstage monitor mixing Can either be attached to a mic stand or be set on a shelf or table, allowing headphone/monitor mixes to be created on the fly Talkback system allows each HRM-16 mixer user to communicate with other users and the main mixing location One 25 foot HDS-16 to HRM-16 linking cable is included with each HRM-16 unit, eliminating the need for a costly "console snake" Al |
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Furman IT-20 II |
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Furman
Furman IT-20 II Furman IT-20 II Description: Designed for the most critical, ultra-low noise installations, the IT-20 II can supply 20 amps of Balanced AC power for recording studios, broadcast stations, or video production facilities. To understand the incredible need for clean noise-free AC power, it's important to note that today's sophisticated studio equipment features tremendous dynamic range. Most of the signal content that defines high resolution such as harmonics, instrument timbre, high frequency extension, spatial cues, and fast transient attacks in audio are inherently low in signal level. Further, when AC noise is induced into audio processors, pre-amplifiers, microphones, powered monitors, computers, and mixing consoles these all important low level signals are distorted or masked. Once signals are masked there is no way to retrieve the lost content. Advanced AC filtering is critical when audio or video resolution is at stake. With Furman's IT-20 II, for the first time you will hear audio content and see video images as they were meant to be - pristine. Add to this our SMP non-sacrificial surge suppression, E.V.S. protection, Linear Filtering Technology (LiFT), and laboratory grade digital voltmeter and you will be assured that AC noise and surges are a thing of the past. Balanced AC Power In much the same way that balanced audio lines can reduce the pickup of hum and other types of electromagnetic interference (EMI), the use of balanced AC power lines in sensitive audio, video, or computer installations can make an enormous difference in system noise and signal integrity. But power distribution in North America, unfortunately, is not balanced. The distribution standards currently in use were derived from practices established over a century ago, when electric power use was limited to lighting and motors - long before any AC noise sensitive applications existed. The emphasis then was on convenience (from the power utilities - standpoint) and safety, but not noise cancellation. The result was a three-wire distribution scheme in which 120V branch circuits have a hot wire and a neutral wire, with the neutral tied to a third wire connected for safety to an earth ground. The third wire does not carry any current unless there is a fault. This unbalanced scheme can create hum in audio circuits for two main reasons. First, the current flowing in the hot wire induces hum in any other nearby wires, which may carry vulnerable low-level audio or video signals. Second, because the impedance of chassis and cable shielding to ground is always greater than zero ohms, ground current flowing from power supply capacitors and from EMI pickup causes a voltage drop at 60Hz and its harmonics. This low level noise becomes part of the audio signals. With a center-tapped isolation transformer, the AC power feeding a studio can be balanced at its source. The current-carrying wires then are no longer "hot" (120V) and "neutral" (0V), but two 60V lines of oppo |
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Furman SB-1000 |
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Furman
Furman SB-1000 Furman SB-1000 Description: Furman is proud to introduce the new rackmountable Uninterruptible Power Supply SB-1000, specifically designed for stage and studio applications. Never again will musicians or studio professionals need to worry about damaging sensitive digital equipment or losing hours of studio work in the event of a power outage. Onstage, the ruggedly designed and constructed 15-inch 1U Furman SB-1000 can (safely) keep computer laptops, micro-processing components, and keyboards running until the user can (safely) power them down. The SB-1000's brownout and surge protection prevent the data loss and corruption that can cripple sensitive equipment. In the studio, the Furman SB-1000 can safely save and close critical applications and then power down a CPU and monitor along with additional peripherals, such as hard drives, CD/DVD burners, etc. The Furman SB-1000's passive cooling allows for super quiet operation in critical listening environments. The Furman SB-1000 features a generous 1000VA / 600 watts capacity from its step-up/step-down multi-tap Toroid transformer. A current overload alarm activates at 10 amps total capacity. An additional alarm activates when in battery back-up mode. The unit will provide a 3-minute back-up with a 5-amp RMS load, and 32-minutes of back-up with a typical computer and monitor load. The SB-1000 features 5 AC outlets, (4 for backup with a 5 amp total load) and 1 bypass outlet, (4 amps total, for higher amperage units) so additional computer peripherals and electronic devices can be safely powered down. Additional features include adjustable line voltage from 110/115/120 VAC, two step regulation, and an adjustable line frequency of 50 or 60 hertz. (Internal jumpers). The front panel features convenient ON/OFF switches for the backup and bypass outlets, a test switch that allows battery status check, as well as a line/backup indicator LED. Furman SB-1000 Features: 600 watt / 5 amp capacity 3 minute back-up at full 5 amp load. 32 minute backup with typical computer / monitor Adjustable input voltage of 110V / 115V / 120 VAC. With output voltage of 120 VAC RS-232 Interface performs monitoring functions and provides orderly computer shutdown Phone and fax line protection Includes 19 inch rack mount ears UL - CUL listed Furman SB-1000 Specifications: Current rating: 5 amps / 600 watts Over Voltage Regulation: 131 VAC switches to 120 VAC output Under Voltage Regulation: 109 VAC switches to 120 VAC output Spike Protection Modes: Line to neutral, line to ground, neutral to ground Spike Clamping Voltage: Initial turn-on at 200 volts; TVSS rating of 400 volts peak at 500 amps, L-N, N-G, L-G (tested to UL-1449) Response time: 1 nanosecond Maximum surge current: 6,500 amps Output: Two-step square wave Switching Modes: Switches to battery backup at 89 VAC low line or 150 VAC high line, bypasses backup at 95 VAC and 140 VAC Transverse Noise Attenuation: 20 dB a |
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Gallien Krueger 1001RB II 115 |
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Gallien Krueger
Gallien Krueger 1001RB II 115 Gallien Krueger 1001RB II 115 Description: The Artist Series RB combos put full-featured Artist Series heads into professional combo enclosures in a variety of speaker options. All are designed for easy transport, ruggedness, compact size, tilt-back use, and to deliver the warm tone and output that leads to exceptional musical perfmance. POWER Gallien Krueger 1001RB II 115 Specification: COOLING: Continuously Variable Speed Fan INPUT SECTION: Ultra low noise S/N>90dB, Clip LED, -14dB Pad, Volume, Mute Switch and Mute LED VOICING FILTER: 5/4 String Voicing, Adjustable Contour and Presence EQUALIZER: In-Series Four Band Active OUTPUT: Boost, Tweeter Level with Hi-Cut Switch and Woofer Level with Hi-Cut Switch DIRECT OUT: XLR, Ground Lift, Pre/Post Switches and Level Control PATCHING: Send, Return, and Tuner Out SPEAKER OUTPUT: Two 1/4" and Two HMS-compatible Speakon Connectors WOOFER: 1xGK-Paragon 15B400-8 Cast Frame 15", 400W, 8ohm High Presence Voice Coil TWEETER: GK-Paragon 5H50-8 CONSTRUCTION: 11-Ply Poplar, Black Carpet, 16 Gauge Steel Grill, Lock 'N Roll Transport System, Custom Tooled Interlocking Corners, Front Ported WEIGHT: 77 lbs DIMENSIONS: 21.75"W x 24.75"H x 18"D Get your Gallien Krueger 1001RB II 115 Today ! |
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Gallien Krueger 1001RBII |
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Gallien Krueger
Gallien Krueger 1001RBII Gallien Krueger 1001RBII Description: The 1001RB-II has the same feature ser as the 700RB-II, but boosts power output to a level for larger venues. With 700W + 50W, it is capable of driving multiple cabinets with ease while maintaining sound integrity and response at the highest sound levels. Link it up to two RBH horn-loaded cabinets and you've got a full stage unit that'll rock any house. Gallien Krueger 1001RBII Specification: POWER COOLING: Continuously Variable Speed Fan INPUT SECTION: Ultra low noise S/N>90dB, Clip LED, -14dB Pad, Volume, Mute Switch and Mute LED VOICING FILTERS: 5/4 String Voicing, Adjustable Contour and Presence EQUALIZER: Bass Specific Series Four Band Active OUTPUT: Boost, Tweeter Level with Hi-Cut Switch and Woofer Level with Hi-Cut Switch DIRECT OUT: XLR, Ground Lift, Pre/Post Switch and Level Control PATCHING: Send, Return and Tuner Out SPEAKER OUTPUT: Two 1/4" and Two HMS-compatible Speakon Connectors WEIGHT: 18 lbs DIMENSIONS: 17.5"W x 3.5"H x 8"D Get your Gallien Krueger 1001RBII Today ! |
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Gallien Krueger 115RBH |
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Gallien Krueger
Gallien Krueger 115RBH Gallien Krueger 115RBH Description: These horn-loaded Artist Series RBH Cabinets are designed to perfectly match the 700RB-II, 1001RB-II, and the 2001RB, as well as to fully use all the power and features these heads and combos deliver. Gallien Krueger 115RBH Specification: IMPEDANCE: 8 ohms POWER RATING: 400 Watts WOOFER: 1xGK-Paragon 15B400-8, Cast Frame, 15", 400W High Presence Voice Coil TWEETER: GK-Paragon 5H50-8 FREQUENCY RESPONSE: 50Hz to 19 kHz + 5dB SENSITIVITY: 106dB CROSS OVER: HMS Bi-Amp/Full Range Switch, Horn Power Limiter, L-Pad High Frequency Attenuator CONNECTORS: 1xHMS Compatible Bi-Amp/Full Range Speakon, 1x1/4" (Full Range Only) CONSTRUCTION: 11-Ply Poplar, Black Carpet, 16 Gauge Steel Grill, Removable Nickel Plated Castors, Custom Tooled Interlocking Corners and Dual Front Loaded Ports WEIGHT: 67 lbs DIMENSIONS: 23"H x 27.5"W x 18"D Details: They are carpet covered, front ported, and equipped with massive custom corners, 16 gauge steel grills, nickel plated casters, and rugged all-birch construction. Interlocking corners allow these cabinets to be played upright, rocked back, or stacked on their sides for the ultimate gig rig. Custom cast frame woofers and high-performace horns combine with a flexible crossover system to allow passive full range or true bi-amp operation, selected by a crossover switch. Both Speakon(TM) style and 1/4" connectors are provided. Get your Gallien Krueger 115RBH Today ! |
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Gallien Krueger 2001RB |
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Gallien Krueger
Gallien Krueger 2001RB Gallien Krueger 2001RB Description: It's the big gun, GK's candidate for the ultimate stage rig! This unit is based on the bi-amp system from the 1001RB but with dual 540W woofer amps bridgeable to 1080W, two 50W horn amps, and two continuously variable speed fan for cooling. Gallien Krueger 2001RB Specification: POWER COOLING: Dual Continuously Variable Speed Fans INPUT SECTION: Ultra low noise S/N>90dB, Clip LED, -14dB Pad, Mute Switch, Mute LED and A/B Switch HIGH GAIN (B): B LED, Gain, Edge, Bottom and Level Controls LOW GAIN (A): A LED and Level Control VOICING FILTERS: 5/4 String Voicing, Adjustable Contour and Presence EQUALIZER: Bass Specific Series Four Band Active OUTPUT: Boost, Tweeter Level with High-Cut and Woofer Level with High-Cut DIRECT OUT: XLR, Level Control, Ground Lift and Pre/Post Switches PATCHING: Send, Return, Tuner Out, Chain in, Chain Out and Footswitch Jack SPEAKER OUT LEFT: Two 1/4" and two HMS Compatible Speakon Connectors (Bridge/Mono), Bridge/Mono Switch SPEAKER OUT RIGHT: Two 1/4" and two HMS Compatible Speakon Connectors CONTROL: Trigger In, Trigger Out and IEC Power Connector WEIGHT: 40 lbs DIMENSIONS: 19"W x 5.25"H x 12"D Get your Gallien Krueger 2001RB Today ! |
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Gallien Krueger 2001RBP |
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Gallien Krueger
Gallien Krueger 2001RBP Gallien Krueger 2001RBP Description: This system is for the artist who wants to drive several power amps from a single preamp. A rugged, single rack space unit, the 2001RBP has all the features of the 2001RB preamp section, including remote output for the tuning on GK power amps connected to it. Get Your Gallien Krueger 2001RBP Today |
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Gallien Krueger 210RBH |
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Gallien Krueger
Gallien Krueger 210RBH Gallien Krueger 210RBH Description: These horn-loaded Artist Series RBH Cabinets are designed to perfectly match the 700RB-II, 1001RB-II, and the 2001RB, as well as to fully use all the power and features these heads and combos deliver. Gallien Krueger 210RBH Specification: IMPEDANCE: 8 ohms POWER RATING: 400 Watts WOOFER: 2xGK-Paragon 10B200-16 Cast Frame, 10", 200W, 16 ohms High Presence Voice Coil TWEETER: GK-Paragon 5H50-8 FREQUENCY RESPONSE: 50Hz to 19kHz + 5dB SENSITIVITY: 98dB CROSSOVER: HMS Bi-Amp/Full Range Switch, Horn Power Limiter, L-Pad High Frequency Attenuator CONNECTORS: 1xHMS Compatible Bi-Amp/Full Range Speakon, 1x1/4" (Full Range Only) CONSTRUCTION: 11-Ply Poplar, Black Carpet, 16 Gauge Steel Grill, Custom Tooled Interlocking Corner System and Front Loaded Port WEIGHT: 59 lbs DIMENSIONS: 23"W x 21.25"H x 15.5"D Details: They are carpet covered, front ported, and equipped with massive custom corners, 16 gauge steel grills, nickel plated casters, and rugged all-birch construction. Interlocking corners allow these cabinets to be played upright, rocked back, or stacked on their sides for the ultimate gig rig. Custom cast frame woofers and high-performace horns combine with a flexible crossover system to allow passive full range or true bi-amp operation, selected by a crossover switch. Both Speakon(TM) style and 1/4" connectors are provided. Get your Gallien Krueger 210RBH Today ! |
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