|
 |
Line 6 Variax Acoustic 300 Nylon |
 |
Line 6
Line 6 Variax Acoustic 300 Nylon The Line 6 Variax Acoustic 300 Nylon puts an incredible range of detailed nylon string sounds in a single, affordable guitar with classic good looks and playability. With its uniquely simple Body control knob, Line 6 Variax Acoustic 300 Nylon goes from bright and punchy flamenco to thick and round classical in an instant. No matter how big, warm, and loud you like your sound, Line 6 Variax Acoustic 300 Nylon delivers it all with incredible feedback resistance and no extraneous stage or studio noise! But, that's just the start of what you can do with Line 6 Variax Acoustic 300 Nylon. Line 6 Variax Acoustic 300 Nylon Guitar at a Glance: Studio-quality classical sound Intuitive controls for tonal shaping Great tone for any gig from coffee house to arena Studio-quality classical sound With Line 6 Variax Acoustic 300 Nylon, getting a studio-quality classical sound is as simple as plugging in your guitar. From amplifying ultra dynamic classical playing on stage without feedback, to recording flamenco pieces without ambient noise and expensive microphones, Line 6 Variax Acoustic 300 Nylon has you covered. Intuitive controls for tonal shaping The patented Line 6 modeling technology enables Line 6 Variax Acoustic 300 Nylon to capture all the vibe of a perfectly set up guitar and microphone in a great room. Line 6 Variax Acoustic 300 Nylon gives you these intuitive tone-shaping options for dialing in the perfect sound for any recording session or live gig: BODY: The Body knob is the center of the sonic engine for Variax Acoustic 300. By moving this control, you can easily go from a bright, punchy flamenco sound to a warm, round classical and anywhere in between. VOL: Just a simple volume control that you will probably leave all the way up. VERB: Add some ambience to your acoustic sounds with this simple to use slider. By pushing it towards the VOL and BODY controls, you can add a sense of space without sacrificing note definition and character. COMP: The middle slider lets you change the level of compression on the fly. A normal compressor usually has a lot of tweaky controls to adjust, but we take care of all the complicated stuff for you. Just push the slider toward the VOL and BODY controls for more compression, and away from the knobs for less. MIC: This slider allows you to alter the position of the modeled microphone. As you move the slider closer to the soundhole (away from the VOL and BODY controls), the modeled microphone is also getting closer to the soundhole and emphasizing the body's lower frequencies. Moving it away from the soundhole puts more emphasis on the strings and upper frequencies. Since this is all done in modeling, you can find your favorite sound without worrying about massive stage feedback or noise from your surrounding environment! PROG: To really take advantage of the Variax Acoustic 300, especially when performing, you'll want to get some sounds ready for instant recall. This button allows y |
|
 |
Line 6 Vetta II 150 Watt (75w x 2) stereo 2x 12" Combo |
|
Line 6
Line 6 Vetta II 150 Watt (75w x 2) stereo 2x 12" Combo Vetta II goes far beyond anything we've ever done. It is the most advanced guitar amplification system in the world. With the touch of a footswitch, a complete backline of stompboxes, studio-quality effects, amps, and mics can be instantly re-wired and tweaked. Combine all this with a stunning power section, comprehensive digital I/O, and the ability to directly power, digitally connect, and store Variax modeling guitar settings in your patches, and now you know why this is the most complete guitar system ever created. 150-watts stereo 2x12" Custom Celestion Speaker 65 lbs. (30kg) 29"W x 20"H x 10.1"D (74cm x 51cm x 26cm) |
|
 |
Line 6 Vetta II HD Head |
|
Line 6
Line 6 Vetta II HD 300 watt Stereo Head 300-watts stereo Full power into 4, 8, or 16 ohms 40 lbs. (18kg) 29"W x 10"H x 9"D (74cm x 25cm x 23cm) |
|
 |
Line6 LD300 Pro Bass Combo |
|
Line 6
Line6 LD300 Pro Bass Combo The first ever line of bass amps from Line 6, LowDown delivers an incredible array of dialed-in, stage-perfected bass tones. While most bass combos focus on volume and clean tone, LowDown amps offer five must-have effects and five killer bass amp models, that cover everything from funk to classic rock and beyond. Plus, the oversized, high-speed power amp has incredible articulation and bottom end punch that's ideal for live or studio work. Finally, there's a line of bass combos that give you great tone, performance, and flexibility all at an incredible price. All LowDown Amps Feature: 5 Incredible Bass Amp Models: Clean, R&B, Rock, Brit and Grind 5 Essential Bass Effects: Synth, Compressor, Envelope Filter, Octaver, and Chorus Deep Switch With Special Tone Shaping for Supreme Fatness XLR Direct Out With Exclusive Bass POD Modeling 4 Programmable Channel Memories Headphone Out Jam along CD/MP3 1/8" input Built-In Chromatic Tuner Foot Switch Jack for FBV Express or FBV Shortboard Available in three powerful sizes: LowDown 150 1x12 - 150watts w/ convenient Tilt Back monitor design LowDown 175 1x15 w/horn - 175watts LowDown 300 Pro 1x15 w/horn - 300watts |
|
 |
M-Audio ProKeys 88 Premium Piano |
|
M-Audio
M-Audio ProKeys 88 Premium Piano The ProKeys 88 is the premium digital stage piano that doubles as a great MIDI controller. ProKeys 88 gives you a lot more sound bank memory than even the closest competitor, loaded with larger, more realistic samples-14 world-class instruments in all, including split/layer capabilities. We paired those great sounds with an 88-key weighted hammer-action keyboard, delivering a realistic feel to satisfy the most demanding pro. The ProKeys 88 is also a great master controller keyboard, including a built-in USB MIDI interface for easy direct connection to your PC or Mac, MIDI In and Out jacks to communicate with other MIDI gear, pitch and modulation wheels, sequencer controls and more. ProKeys 88 pulls out all the stops in creating the ultimate playing experience in an affordable digital stage piano. |
|
 |
Mackie 1604-VLZ3 |
|
Mackie
Mackie 1604-VLZ3 Mackie 1604-VLZ3 Description: If you're looking for a compact mixer equally suited for the stage or the recording studio, then look no further-the Mackie 1604-VLZ Pro is your mixer. The 1604-VLZ Pro is the top mixer choice of audio professionals for any application where sound quality, ease of use, and durability are paramount. Thousands of recordings have been tracked and mixed solely on it-including some very well known ones. And an astounding number of 1604-VLZ Pros can be found on stages and in gig-racks, the world over. With its staggering array of professional features, the Mackie 1604-VLZ Pro is perfectly at home, no matter where you use it; on the road, on the stage, or in the studio. Here at Mackie, we take our compact mixers very seriously and we are proud of the innovation we've brought to the market place. Mackie mixer preamps are so quiet and clean, that many of our competitors have tried to copy them-and with performance specs like ours (under 0.0007% THD from 20Hz-20kHz), who can blame them. Our highly musical EQ gives you complete control over tonality and harmonic content. And our ingenious Split-Monitoring function allows you to record and playback eight tracks without re-patching. Leave it to the innovative minds at Mackie to produce the 1604-VLZ Pro, the best-sounding mixer in its class for more than ten years running. XDR MICROPHONE PREAMPS The VLZ Pro Series features our XDR (Extended Dynamic Range) mic preamps, which are ultra-quiet and provide tremendous headroom. This means the 16 XDR mic preamps in the 1604-VLZ Pro mixer can handle signal levels from a whisper, all the way up to a scream, without any added coloration. Preamps of this quality aren't found on other mixers in this price range; they often only appear on larger consoles costing thousands of dollars more. THREE-BAND EQUALIZATION WITH SWEEPABLE MIDS High-quality equalization is a must for any good mixer, that's why we didn't cut any corners when it came to our 3-band Active EQs-and why we include them on every channel. Tremendous resources went into optimizing the center points of the VLZ Pro's EQ. As a result, we fixed the Lows at 80Hz and the Highs at 12kHz. Midrange compensation is handled by a peaking control with a two-octave variable frequency center. This means that the Mids can be swept from a low of 100Hz, all the way up to 8kHz-with a boost or cut of 15dB. This gives VLZ Pro mixers practical, useful equalization, providing not only sonic enhancement and correction, but also the tone-shaping facility to actually improve the musical nature of the original signal. PROFESSIONAL FEATURES Don't let its compact size fool you. The Mackie 1604-VLZ Pro mixer is packed with premium features on every channel; 75Hz Low-Cut filters, four Aux Sends, inserts, phantom power, constant-loudness Pan controls, OL (overload) and signal present LEDs, sub and main mix assign switches, and assignable AFL/PFL Solo switch. You can never have too many output opt |
|
 |
Mackie 1642-VLZ3 |
|
Mackie
Mackie 1642-VLZ3 Get a Free Mackie 1600 Series Mixer Bag with every order! (a $50.99 value!) Mackie 1642-VLZ3 Description: With its sleek new look, upgraded preamps and EQ circuitry, the new Mackie 1642-VLZ3 redefines perfection. With the same features and functionality of its predecessor, the re-engineered Mackie 1642-VLZ3 has even greater headroom than the original. We could have stopped right then and there, but since we're obsessed with perfection, we redesigned the Mix Bus and made significant enhancements to the EQs, giving the 1642-VLZ3 a more intuitive and musical feel. The 1642-VLZ3's three unique channel strip formats allow you to input and shape any kind of signal, including mic, line, and stereo instruments. Whether you need a live mixing board for club work, or a full-featured workhorse for home and studio recording, you owe it to yourself to check out the new Mackie 1642-VLZ3. You'll think it's perfect, too. VASTLY SUPERIOR XDR2 MIC PREAMPS Our new XDR2 (Extended Dynamic Range) second-generation mic preamps are better than ever. They offer incredibly low noise, with individual mic pre THD below 0.0007%, and overall mixer THD less than 0.0025%. With 60dB of available gain per channel, the 1642-VLZ3 can handle inputs ranging from a whisper to a scream, and can even handle hot line-level signals up to +22db, without any added coloration. You simply won't find preamps this good on any other mixer in this price range. THREE KINDS OF CHANNEL STRIPS 1. Channels 1-8 are essentially the same as those on our 1604-VLZ3, with mono line-level input and our ultra-high-quality XDR2 mic preamps. These VLZ (Very Low Impedance) mic pres offer superior sound quality and the best RFI rejection of any compact mixer on the market. 2. Channels 9/10 and 11/12 (two physical channel strips) each provide a stereo pair of line-level inputs and a mono XDR2 mic preamp. 3. Channels 13/14 and 15/16 (also in two physical channel strips) each provide a stereo pair of line-level inputs only, with fixed 4-band equalization at points that are specifically designed for line-level inputs, such as keyboards, sound modules, etc. TWO UNIQUE EQUALIZATION FORMATS High-quality equalization is a must for any good mixer, that's why we didn't cut any corners on the 1642-VLZ3. Channels 1-8 feature the same world-renowned 3-band Active equalization that you'll find on the 1604-VLZ3. Tremendous resources went into optimizing the center points of these mic channel equalizers, with the Lows at 80Hz and the Highs at 12kHz. Midrange compensation is handled by a peaking control with a two-octave variable frequency center. This means the Mids can be swept from 100Hz all the way up to 8kHz-with a boost or cut of 15dB. We designed a fixed 4-band, "musically-correct" EQ for the remaining channels, which are primarily intended for line-level signals, such as keyboards, sound modules, and drum machines. This all adds up to practical, useful equalization, with the tone-shaping facility to actu |
|
 |
Mackie 24.8 |
|
Mackie
Mackie 248 Mackie 248 Description: The 328 and 248. Mackie's 8Bus Series has never been equalled for sound quality. Expandable, the definitive 8bus console that's used by more artists, groups, composers, and production facilities than any other brand. The 8Bus series was designed to eliminate the last barrier between you and audio creativity the 328, 248 are capable of sound quality equal to or better than that of $100,000 consoles. 8Bus consoles have recorded more platinum albums and major motion picture soundtracks than any other mixer in their class they set the standard for affordable 8-bus consoles. Excellent for project studios and digital multitrack recording, when combined with digital multitrack or hard disk recording systems, a Mackie 8Bus console can create not just major label CDs, but major motion picture soundtracks and network quality commercials. Features include low-noise/high-headroom mic preamps on every channel, as well as channel inserts and direct outs. In the channel strip you'll find Mackie's truly musical EQ with Hi and Lo shelving EQ, parametric Hi-Mid, and sweepable Low-Mid EQ as well as our Low Cut Filter, which allows you to eliminate mic thumps and room rumble from your mix, and use your EQ for music and vocals. With Mix B, "in-line monitoring" is a breeze. Six aux sends and six aux returns allow you to use all the effects you want. And the 8Bus'scomplete talkback and phones level controls make communicating with the talent a snap. There's much more. When you get right down to it, the 8Bus series of recording consoles is a value at many times the price. The fact that artists and producers of every shape and size have sworn by them means when you buy an 8Bus you'll be in good company. Mackie 248 Features: Output Noise (Measured 20Hz to 20kHz bandwidth Tape Returns selected, no EQ, Channel Pans alternating L/R, L/R. "Faders up" refers to Unity gain, 0dBu position): Master fader down: 101dBu Master fader up, 24 channels, channel faders down (mix noise): -90dBu Master fader up, 24 channels, channel faders up: -86dBu +4dBu operating level signal-to-noise ratio: >90dB Total Harmonic Distortion, 1kHz @ + 14dBu measured 20Hz-20kHz, mic input, 1 channel assigned: Direct output: 0.0013% typical L/R Mix output: 0.0014% typical Submaster: output 0.0015% typical Crosstalk, 1kHz measured relative to 0dBu, measured 20Hz to 20kHz. Line In to Adjacent Channel: -91dBu Channel Fader down: L/R Mix Output: -95dBu Submaster Output: -96dBu Channel muted: L/R Mix Output: -95dBu Submaster Output: -96dBu Channel un-assigned: L/R Mix Output: -91dBu Submaster Output: -95dBu Adjacent Channel assigned: L/R Mix Output: -92dBu Submaster Output: -94dBu Panpot attenuation: L/R Mix Output: -87dBu Submaster Output: -87dBu Frequency Response 20Hz to 60kHz, any input to any output +0/-1dB 10Hz to 120kHz, a |
|
 |
Mackie 328 |
|
Mackie
Mackie 328 Mackie 328 Description: The 8-Bus series was designed to eliminate the last barrier between you and audio creativity - the 32-8 is capable of sound quality equal to or better than that of $100,000 consoles. 8-Bus consoles have recorded more platinum albums and major motion picture soundtracks than any other mixer in their class - they set the standard for affordable 8-bus consoles. Excellent for project studios and digital multitrack recording, when combined with digital multitrack or hard disk recording systems, a Mackie 8-Bus console can create not just major label CDs, but major motion picture soundtracks and network quality commercials. Features include low-noise/high-headroom mic preamps on every channel, as well as channel inserts and direct outs. In the channel strip you'll find Mackie's truly musical EQ - with Hi and Lo shelving EQ, parametric Hi-Mid, and sweepable Low-Mid EQ - as well as our Low Cut Filter, which allows you to eliminate mic thumps and room rumble from your mix, and use your EQ for music and vocals. With Mix B, "in-line monitoring" is a breeze. Six aux sends and six aux returns allow you to use all the effects you want. And the 8-Bus's complete talkback and phones level controls make communicating with the talent a snap. When you get right down to it, the 8-Bus series of recording consoles is a value at many times the price. The fact that artists and producers of every shape and size have sworn by them means when you buy an 8-Bus you'll be in good company. Mackie 328 Features: Loads of outputs for easy multitracking Mackie's premium mic preamps on every channel (with phantom power for use with condenser mics) 100mm log-taper faders for consistently smooth fades EQ: Full parametric Hi-Mid w/separate band center & "Q" controls, swept Lo-Mid, and Hi & Lo shelving EQ Low Cut Filter (18dB/oct At 75Hz) on every channel 6 stereo (2 assignable) aux returns Extensive routing capabilities Get your Mackie 328 today! |
|
 |
Mackie 808M |
|
Mackie
Mackie 808M Mackie 808M Description: Twin 600W FR Series amps deliver 1,200 real watts @ 2 ohms and are switchable as mains or mains/monitors. The 8 mic/line channels feature phantom power, inserts on 1 through 6, and dual line inputs on channels 7 and 8. Each channel has 3-band EQ, and separate, studio-grade 9-band graphic EQs are provided for mains and monitors. The graphic EQs feature multiple summing amplifiers and precision infinite feedback band-pass filters for superior linear phase and combining properties. They are ultra-low noise, low distortion, and sound great. Rugged, injection-molded chassis. Sealed rotary controls resist dirt and dust. Mackie 808M Features: 1200 real watts @ 2 ohms from twin 600-watt FR Series High-Current power amps Power amps switchable as mains or mains plus monitors 8 mic/line channels with phantom power Dual line inputs on channels 7 and 8 Inserts on channels 1-6 Active 3-band EQ on each channel 2 separate 9-band, audiophile-quality graphic EQs--one on mains and one on monitors Level-setting control & LED on every PPM mixer channel-makes setting input levels a snap Mil-spec fiberglass circuit boards (instead of cheap phenolic) resist physical impact Amp routing switch assigns power amps to mains or mains and monitors Hefty 10,000f storage capacitors for high peak power reserves Massive toroidal transformer for high current output Mega-cool die-cast heat sink. Mackie 808M Specification: Frequency Response Mic Input to Main Mixer Output (Trim at 0 dB) +0, -1 dB 32Hz to 20kHz +0, -3 dB 16Hz to 80kHz Mic Input to Power Amp Output at rated power output: +0, -1 dB 32Hz to 20kHz +0, -3 dB 16Hz to 55kHz Distortion: THD and SMPTE IMD; 20 Hz to 20 kHz Mic Input to Main Mixer Output < 0.005% at +4 dBu output Mic Input to Power Amp Output < 0.15% 250 mW to rated power Common Mode Rejection Ratio: (CMRR) at 1kHz, Trim at 0 dB 60 dB Noise: 20Hz-20kHz bandwidth, 150-ohm source impedence Equivalent Input Noise (EIN): -127 dBu Residual Output Noise with Main Mixer, Monitor, & Effects outputs, Channel & Master levels off: -95 dBu Main Mixer Output Noise with Master at nominal (-10dB), all channels off: -92 dBu with Master and one input at nominal (-10dB and -20dB), Trim at 0dB: -85 dBu Crosstalk, at 1 kiloHertz: Adjacent Inputs or Input to Output: -90 dB Fader Off: -90 dB Break Switch Mute: -80 dB Input Level Trim Control Range: 0 to -40dB Phantom Power: +15V DC Equalization: Rumble Reduction 75hz, -18dB/octave Channel EQ High 15dB at 12kHz Mid 12dB at 2.5kHz Low 15dB at 80Hz Graphic EQ: 9 bands, 15dB, Q=1.414 ISO octave centers at 63Hz, 125Hz, 250Hz, 500Hz, 1kHz, 2kHz, 4kHz, 8kHz, 16KHz Main Mixer Section Rated Output: Main Mixer, Monitor, and Effects +4 dBu Maximum Main Mixer Section Output +20 dBu Input Sensitivity (Minimum Input Level to produce +4dBu at Main Mixer Output) Mic Input: -68dBu Insert Input: -28dBu Line Input: -48dBu Stereo Line Input: |
|
 |
Mackie 808S |
|
Mackie
Mackie 808S Mackie 808S Description: The same power amp structure as the 808M mono mixer, plus stereo I/O capability and several other important additional features. Twin 500W FR Series amps deliver 1,000W @ 4 ohms and are switchable as mains or main/monitors. 8 mic/line channels feature master phantom power, inserts on 1-6. 1/4" stereo inputs on channels 7 and 8, stereo pan control on all 8 channels, true stereo 9-band graphic EQ on mains, plus a 9-band for the monitors. It includes a 32-bit custom EMAC digital effects processor with 16 different effects and 2 controllable parameters per effect, a special EFX WIDE effects-enhancement switch, and a way-cool Break switch that mutes channels 1-6 during breaks. It also features Mackie's renowned discrete mic pre-amps (the best found on any powered mixer), and an amp-routing switch that lets you assign power amps to mains only or mains and monitors. An external effects section has separate sends and returns, plus a footswitch jack to override internal and external effects. Mixer line-out jack lets you add extra power amps. 8 mic/line channels feature master phantom power, inserts on 1 through 6, and dual line inputs on channels 7 and 8. Each channel is provided with 3-band EQ and separate 9-band graphic EQs are provided for mains and monitors. Mackie 808S Features: 1200 real watts/2 ohms from twin 600-watt FR Series High-Current power amps Power amps switchable as stereo mains or main plus monitor 8 mic/line channels with master phantom power Stereo line inputs on channels 7 and 8 Inserts on channels 1-6 Active 3-band EQ and stereo pan control on each channel True stereo 9-band graphic EQ on mains 9-band graphic EQ on monitor Mackie 808S Specification: Frequency Response Mic Input to Main Mixer Output (Trim at 0 dB) +0, -1 dB 32Hz to 20kHz +0, -3 dB 16Hz to 80kHz Mic Input to Power Amp Output at rated power output: +0, -1 dB 32Hz to 20kHz +0, -3 dB 16Hz to 55kHz Distortion: THD and SMPTE IMD; 20 Hz to 20 kHz Mic Input to Main Mixer Output < 0.005% at +4 dBu output Mic Input to Power Amp Output < 0.15% 250 mW to rated power Common Mode Rejection Ratio: (CMRR) at 1kHz, Trim at 0 dB 60 dB Noise: 20Hz-20kHz bandwidth, 150-ohm source impedence Equivalent Input Noise (EIN): -127 dBu Residual Output Noise with Main Mixer, Monitor, & Effects outputs, Channel & Master levels off: -95 dBu Main Mixer Output Noise with Master at nominal (-10dB), all channels off: -92 dBu with Master and one input at nominal (-10dB and -20dB), Trim at 0dB: -85 dBu Crosstalk, at 1 kiloHertz: Adjacent Inputs or Input to Output: -90 dB Fader Off: -90 dB Break Switch Mute: -80 dB Input Level Trim Control Range: 0 to -40dB Phantom Power: +15V DC Equalization: Rumble Reduction 75hz, -18dB/octave Channel EQ High 15dB at 12kHz Mid 12dB at 2.5kHz Low 15dB at 80Hz Graphic EQ: 9 bands, 15dB, Q=1.414 ISO octave centers at 63Hz, 125Hz, 250Hz, 500Hz, 1kHz, 2kHz, 4kHz, 8kHz, 16K |
|
 |
Mackie C4 Pro |
|
Mackie
Mackie Control C4 Pro Mackie Control C4 Pro Description: Communication is the basis for any great relationship. That's what makes Mackie Control Pro Series controllers the perfect match for your music production software. Thanks to their unique proprietary communication protocol, Mackie Control Pro Series controllers know just how to sweet-talk your software, and your software knows just how to respond. You get deep, intuitive control of mix and plug-in parameters, real-time visual feedback, and setup is plug and play - no MIDI mapping head games! Mackie Control Pro Series controllers make it easy to grow the relationship, too. The Universal Pro control surface, Extender Pro control surface extension and C4 Pro plug-in and virtual instrument controller all seamlessly integrate, so you can put control of all your software parameters right at your fingertips. Simply put, Mackie Control Pro Series controllers give your music production software what it needs to feel complete. Plug-In and Virtual Instrument Control Surface Proprietary Mackie communication protocol for seamless music production software integration Perfectly integrates with Logic, Reason, Sonar, Tracktion and more Provides real-time, hands-on control of plug-in effects and virtual instruments Intuitive control of multiple plug-ins at once - up to 32 parameters simultaneously 32 V-Pot rotary encoders with integrated push-buttons 4 huge backlit LCDs for immediate visual feedback of plug-in parameters / settings LED rings around every V-Pot display exact knob positions Provides the most detailed visual feedback of any rotary control surface available Standalone use or integrated with Mackie Control Universal Pro / Extender Pro system Includes C4 Commander Pro software for control of external MIDI-enabled hardware effects, instruments and other Get your Mackie Control C4 Pro today! |
|
 |
Mackie CFX16 mkII |
|
Mackie
Mackie CFX16mkII Get a Free CFX16 mkII Mixer Bag with every order! (a $57.99 value!) Mackie CFX16mkII Description: It all started with Mackie's VLZ PRO, the mixer that defined the standards for affordable high-quality sound. Now, Mackie's new CFX16mkII sets the standard for affordable and rugged mixers with built-in effects. Mackie CFX16mkII at a Glance: 16 channels - 12 mono mic/line and 2 stereo line Channels complete with inserts, trim, and aux sends Built-in 32-bit EMAC digital effects processor with 16 effects Tough enough for live 16 channels - 12 mono mic/line and 2 stereo line The wildly popular CFX16 mkII live sound mixer features 12 genuine Mackie-designed low-noise, high-headroom mic preamps and a host of great features for live sound. The new "mkII" versions include sleek grey cosmetics, new ergonomic knobs, impact-resistant rubber sides, and new irresistibly low prices. The CFX16 mkII features genuine Mackie mic preamps, 12 mono mic/line and 2 stereo line channels, an onboard 9-band stereo graphic equalizer, subwoofer out, and a true 4-bus design ideal for live sound applications, plus a great deal more, all designed to make live sound mixing a breeze - an efficient, great-sounding breeze! Channels complete with inserts, trim, and aux sends Additional channel features include unbalanced inserts and input Trim controls with individual Zero Level LEDs, 3-band EQ with swept midrange, and 100Hz low cut filters for eliminating mic rumble. Each channel strip has a 60mm log-taper fader, one external and one internal/external effects send; plus two Aux sends, pan, mute, solo (PFL), and bus assigns. The mixers also offer phase-accurate 9-band stereo graphic EQ for easy tonal shaping (and feedback suppression). The CFX16mkII allows two separate stage monitor mixes to be created with their own effects levels. Built-in 32-bit EMAC digital effects processor with 16 effects Thanks to Mackie's massive digital R&D efforts of the past seven years, the CFX16 mkII includes sophisticated 32-bit digital effects that rival dedicated outboard processors. These EMAC effects sound clean and realistic - especially compared to the crude, jangling 16-bit effects on most of the other "effects" mixers on the market. Tough enough for live Like all Mackie mixers, the CFX.mkII Series is designed for rugged, day-in and day-out road use. Their sturdy-yet-light steel monocoque construction houses rugged, double-sided SMT-plated fiberglass circuit boards, and 60mm faders with ultra-tight lip seals for keeping out contaminants. Onyx mixer-style knobs are mounted so they "ride" just above the steel chassis and absorb impacts without transferring damage to the internal components. And like all Mackie mixers, the CFX.mkII feature co-molded potentiometers that don't get brittle and scratchy sounding with age. Mackie CFX16mkII Features: Genuine low-noise, high-headroom Mackie mic preamps. 12 mono mic/line and 2 stereo line channels. Built-in 32-bit |
|
| |
