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QSC Audio RMX 4050HD Professional Power Amplifier |
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QSC
QSC Audio RMX 4050HD Professional Power Amplifier QSC's RMX 4050HD power amplifier represents the state-of-the-art in professional quality performance at an affordable price. Perfectly suited for a wide range of sound reinforcement applications including professional touring, performing musicians, and mobile DJs, the RMX 4050HD is optimized to deliver high levels of sustained power, extraordinary audio performance, and road-proven reliability. Like its smaller sibling (the RMX 1850HD), the RMX 4050HD is one of two RMX "Heavy Duty" models designed to work as hard into 2-ohm loads as most competing amplifiers will at 4-ohms. With a three-tier, Class H design, the RMX 4050HD is extremely efficient at real world power levels. Less AC current is wasted and more goes into producing useful audio power. The RMX 4050HD accomplishes all this with a standard 15-Amp plug. Like all RMX amps, the RMX 4050HD features balanced 1/4" TRS, XLR and barrier strip inputs, binding posts and Neutrik Speakon outputs, front-mounted gain controls, plus signal and clip LED indicators to monitor performance. Features: The RMX 4050HD provides improved thermal performance that gives you higher continuous power in 2-ohms stereo or 4-ohms bridged applications Dual mono, high current power supply for increased reliability and performance 3RU chassis only 16" deep Professional quality performanceincorporates road-proven QSC designs High-current toroidal transformers for greater two-ohm power and low noise Independent user-defeatable clip limiters reduce distortion Selectable low-frequency filters (30 Hz or 50 Hz) protect speakers and increase headroom Balanced 1/4" (6.3 mm) TRS, XLR, and barrier strip inputs Binding post and Neutrik Speakon outputs Front mounted gain controls for easy access Signal and Clip LED indicators to monitor performance 3-year warranty. An optional 3-year extended service contract is available. Ask your dealer for details. RMX 4050HD AMPLIFIER STEREO MODE, Both Channels Driven 8 ohms FTC 20 Hz-20 kHz 0.1% THD 800 Watts 4 ohms FTC 20 Hz-20 kHz 0.1% THD 1300 Watts 2 ohms FTC 20 Hz-20 kHz 0.1% THD 1600 Watts 8 ohms EIA 1 kHz 0.1% THD 850 Watts 4 ohms EIA 1 kHz 0.1% THD 1400 Watts 2 ohms EIA 1 kHz 1% THD 2000 Watts BRIDGE-MONO MODE 8 ohms FTC 20 Hz-20 kHz 0.1% THD 2600 Watts 8 ohms EIA 1 kHz 0.1% THD 2800 Watts 4 ohms EIA 1 kHz 1% THD 4000 Watts Distortion (SMPTE-IM) Less than 0.02% Distortion (Typical) 20 Hz-20 kHz: 10 dB below rated power 1 kHz and below: full rated power Less than 0.02% 4 ohm, less than 0.01% 8 ohms Less than 0.02% 4 ohm, less than 0.01% 8 ohms Frequency Response 20 Hz to 20 kHz, 8 ohms, LF filter bypassed, +0/-1 dB 5 Hz to 50 kHz, 8 ohms, LF filter bypassed, +0/-3 dB Damping Factor Greater than 250 @ 8 ohm Noise (unweighted) 100 dB below rated output (20 Hz to 20 kHz, 8 ohm load) Input Sensitivity 1.25 Vrms for 800 watts into 8 ohms |
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QSC Audio RMX 5050 Professional Power Amplifier |
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QSC
QSC's RMX 5050 power amplifier represents the state-of-the-art in professional quality performance at an affordable price. Perfectly suited for a wide range of sound reinforcement applications including professional touring, performing musicians, and mobile entertainers, the RMX 5050 is optimized to deliver high levels of sustained power, extraordinary audio performance and road-proven reliability. Like its smaller sibling (the RMX 4050HD), the RMX 5050 features a three-tier, Class H design. The RMX 5050 is extremely efficient at real world power levels. Less AC current is wasted and more goes into producing useful audio power. The RMX 5050 uses the best available component upgrades to increase peak power by 25% over the RMX 4050HD. Like all RMX amps, the RMX 5050 features balanced 1/4" TRS, XLR and barrier strip inputs, binding posts and Neutrik Speakon outputs, front-mounted gain controls, plus signal and clip LED indicators to monitor performance. Features: The new flagship of the RMX line, the RMX 5050 provides extremely high power and represents tremendous value The RMX 5050 provides advanced thermal performance, delivering higher continuous power in 2-ohms stereo or 4-ohms bridged applications Dual mono, high current power supply for increased reliability and performance 3RU chassis only 16" deep Professional quality performanceincorporates road-proven QSC designs High-current toroidal transformers for greater two-ohm power and low noise Independent user-defeatable clip limiters reduce distortion Selectable low-frequency filters (30 Hz or 50 Hz) protect speakers and increase headroom Balanced 1/4" (6.3 mm) TRS, XLR, and barrier strip inputs for maximum flexibility Binding post and Neutrik Speakon outputs Front mounted gain controls for easy access Signal and Clip LED indicators to monitor performance 3-year warranty. An optional 3-year extended service contract is available. Ask your dealer for details. RMX 5050 AMPLIFIER STEREO MODE, Both Channels Driven 8 ohms FTC 20 Hz-20 kHz 0.1% THD 1050 Watts 4 ohms FTC 20 Hz-20 kHz 0.1% THD 1600 Watts 2 ohms FTC 20 Hz-20 kHz 0.1% THD 2000 Watts 8 ohms EIA 1 kHz 0.1% THD 1100 Watts 4 ohms EIA 1 kHz 0.1% THD 1800 Watts 2 ohms EIA 1 kHz 1% THD 2500 Watts BRIDGE-MONO MODE 8 ohms FTC 20 Hz-20 kHz 0.1% THD 3200 Watts 8 ohms EIA 1 kHz 0.1% THD 3600 Watts 4 ohms EIA 1 kHz 1% THD 5000 Watts Distortion (SMPTE-IM) Less than 0.02% Distortion (Typical) 20 Hz-20 kHz: 10 dB below rated power 1 kHz and below: full rated power Less than 0.02% Less than 0.02% Frequency Response 20 Hz to 20 kHz, 8 ohms, LF filter bypassed, +0/-1 dB 5 Hz to 50 kHz, 8 ohms, LF filter bypassed, +0/-3 dB Damping Factor Greater than 250 @ 8 ohm Noise (unweighted) 100 dB below rated output (20 Hz to 20 kHz, 8 ohm load) Input Sensitivity 1.42 Vrms for 1050 watts into 8 ohms Controls Front: Controls Rear: AC power switch, Ch. 1 and |
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QSC HPR151W |
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QSC
QSC HPR151W 15" Powered Subwoofer For high-level dance music or reinforcement of bass instruments and kick drum, an HPR series subwoofer will add low-frequency extension and power to any sound system. When the requirement is for compact size and tight, punchy low-end, the single 15" HPR151W subwoofer is the answer. The 700 watt power module is capable of producing 133 dB peak SPL with frequency response down to 43 Hz and sound quality that rivals many 18" subwoofers. A top-mounted 35mm pole socket is provided for use in sub/satellite systems. Live sound reinforcement of bass, kick-drum, etc. Higher-SPL dance music SPECIFICATIONS HPR151W Configuration 15" subwoofer 15" cone transducer with 3" voice coil Frequency Response (-6 dB) 1 Frequency Range (-10 dB) 1 47 Hz - 110 Hz 43 Hz - 140 Hz Nominal coverage, -6 dB N/A Maximum SPL (1 meter) 133 dB peak Amplifier Power output 700W Class H Input impedance 22k balanced 11k unbalanced Controls Gain Front LED On/Off Power Circuit breaker Phase Indicators Power Signal Limit Cooling Convection Amplifier protection Thermal and output power limiting Current consumption at 120 VAC (1/8 power EIA noise) 2.2A Enclosure Painted Birch plywood Finish Black textured paint Grille Powder coated 16 gauge steel Connectors Balanced female XLR line level inputs x 2 (L+R) Balanced male XLR full range line level throughputs x 2 (L+R) Male XLR low-cut line level outputs x 2 (L+R) Dimensions 25" H x 22" W x 20.75" D (635mm x 559mm x 525mm) Net weight 98 lbs. / 44.5 kg Available Accessories HPR COVER 151W HPR POLE 26 |
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QSC HPR152F |
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QSC
QSC HPR152F 15" 2-way Powered Loudspeaker The bi-amplified 15" 2-way HPR152F is a versatile speaker that's at home in nearly any sound reinforcement setting. A high-power low-frequency driver with a 3" voice-coil provides extension down to 50 Hz. The 1.75" (diaphragm) compression driver on a 90 x 60 horn delivers smooth high frequencies up to 20 kHz. A 500 watt (400 LF / 100 HF) power module includes a 100 Hz high-pass filter (HPF) for use in subwoofer-equipped systems. General sound reinforcement Live performance Mobile DJ and dance music A/V presentation SPECIFICATIONS HPR152F Configuration 15" 2-way LF: 15" cone transducer with 3" voice coil HF: 1.75" diaphragm compression driver Frequency Response (-6 dB) 1 Frequency Range (-10 dB) 1 53 Hz - 18 kHz 50 Hz - 20 kHz Nominal coverage, -6 dB 90 x 60 Maximum SPL (1 meter) 135 dB peak Amplifier Power output 400W LF Class H 100W HF Class AB+B Input impedance 22k balanced 11k unbalanced Controls Gain Low-cut filter Front LED On/Off Power Circuit breaker Indicators Power Signal Limit Cooling Convection Amplifier protection Thermal and output power limiting Current consumption at 120 VAC (1/8 power EIA noise) 1.5A Enclosure Painted Birch plywood Finish Black textured paint Grille Powder coated 16 gauge steel Connectors Balanced female XLR line level input Balanced male XLR full range line level out Dimensions 32" H x 19" W x18" D (813mm x 485mm x 455mm) Net weight 100 lbs. / 45.5 kg Available Accessories HPR COVER 152F HPR POLE 26 1 Measured in half-space. Specifications subject to change without notice. |
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QSC HPR153F |
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QSC
QSC HPR153F 15" 3-way Powered Loudspeaker The HPR153F 3-way loudspeaker is a great choice when the warmth, clarity and projection of a horn loaded, cone midrange system is desired. The 15" driver and larger enclosure volume provide extension down to 38 Hz making the HPR153F well suited for reinforcement of music with lots of low frequency content. Mids are handled by a 6" cone driver that seamlessly covers the critical vocal region. A 1.4" (diaphragm) compression driver delivers brilliant top end response. The 600 watt (400 LF / 100 MF / 100 HF) power module includes a 100 Hz high-pass filter (HPF) for use in subwoofer-equipped systems. Live performance Mobile DJ and dance music High-level sidefill monitor SPECIFICATIONS HPR153F Configuration 15" 3-way 15" cone transducer with 3" voice coil 6.5" horn loaded mid-range 1.4" diaphragm compression driver Frequency Response (-6 dB) 1 Frequency Range (-10 dB) 1 42 Hz - 19 kHz 38 Hz - 20 kHz Nominal coverage, -6 dB 90 x 40 Maximum SPL (1 meter) 133 dB peak Amplifier Power output 400W LF Class H 100W MF Class AB+B 100W HF Class AB+B Input impedance 22k balanced 11k unbalanced Controls Gain Low-cut filter Front LED On/Off Power Circuit breaker Indicators Power Signal Limit Cooling Convection Amplifier protection Thermal and output power limiting Current consumption at 120 VAC (1/8 power EIA noise) 1.8A Enclosure Painted Birch plywood Finish Black textured paint Grille Powder coated 16 gauge steel Connectors Balanced female XLR line level input Balanced male XLR full range line level out Dimensions 44.75" H x 19" W x 18" D (1137mm x 485mm x 455mm) Net weight 118 lbs. / 54 kg Available Accessories HPR COVER 153F |
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QSC HPR181W |
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QSC
QSC HPR181W 18" Powered Subwoofer For high-level dance music or reinforcement of bass instruments and kick drum, an HPR series subwoofer will add low-frequency extension and power to any sound system. The HPR181W single 18" subwoofer offers truly impressive low frequency extension and output. A 4" voice-coil driver and a 700 watt power module work to produce 134 dB SPL peak, at 1 meter with frequency response down to 39 Hz. The HPR181W also includes a top-mounted 35mm pole socket and heavy-duty 3" casters to facilitate load-in and load-out. Live sound reinforcement of bass, kick-drum, etc. Higher-SPL dance music SPECIFICATIONS HPR181W Configuration 18" subwoofer 18" cone transducer with 4" voice coil Frequency Response (-6 dB) 1 Frequency Range (-10 dB) 1 42 Hz - 110 Hz 39 Hz - 140 Hz Nominal coverage, -6 dB N/A Maximum SPL (1 meter) 134 dB peak Amplifier Power output 700W Class H Input impedance 22k balanced 11k unbalanced Controls Gain Front LED On/Off Power Circuit breaker Phase Indicators Power Signal Limit Cooling Convection Amplifier protection Thermal and output Power limiting Current consumption at 120 VAC (1/8 power EIA noise) 2.5A Enclosure Painted Birch plywood Finish Black textured paint Grille Powder coated 16 gauge steel Connectors Balanced female XLR line level inputs x 2 (L+R) Balanced male XLR full range line level throughputs x 2 (L+R) Male XLR low-cut line level outputs x 2 (L+R) Dimensions 28" H x 23.5" W x 23" D (711mm x 597mm x 582mm) Net weight 127 lbs. / 58 kg Available Accessories HPR COVER 181W HPR POLE 26 |
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Rane AC24 Stereo 4-Way Crossover |
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Rane
Rane AC24 Stereo 4-Way Crossover The AC 24 stereo 4-way Crossover combines conventional analog controls and DSP signal processing. The AC 24 is ideal for those who want the features and accuracy of DSP, but prefer not to use a PC for control. One knob = one function -- no confusion. This approach allows a full-featured, high performance product that doesn't break the bank. The AC 24 is a truly affordable crossover that features the very best technology, with exactly the right features. The AC 24 combines Rane's exclusive phase compensated, 4-way Linkwitz-Riley-Plus crossover filters with independent time delay and limiting for each output. Once settings are made, an included security cover guards all controls. With these tools, it is possible to realize a well-protected sound system that exhibits unsurpassed clarity and accuracy. |
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Rane AD22D 2 Channel Delay |
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Rane
Rane AD22D 2 Channel Delay The Rane AD 22d is a fully balanced two Input, two Output audio alignment Delay providing a range of 1.50 to 999.99 milliseconds on each Output. The Delay of each Output is independently adjustable in 10 microsecond and 1 millisecond increments. 24-bit audio converters provide excellent sound quality. Each Output has two nonvolatile Memories (no batteries required), A and B, for easy access to previously stored Delay values. Remote Recall screw terminals on the rear accept external configuration switches, permitting independent remote recall of the Memories. The AD 22d features XLR Inputs and Outputs, and is CE certified for emissions. Housed in a single rack space, the unit can operate as two independent channels (dual mono), or as a stereo pair (edit both channels simultaneously). Delay values can be displayed in milliseconds, feet or meters. The ambient temperature of the room may be manually entered in degrees Celsius or Fahrenheit. This temperature is used to accurately convert distance into time. A recessed rear panel switch is available for locking out front panel controls. In this mode, all of the front panel pushbuttons are disabled with the exception of the Channel select and Display Mode buttons. The Channel button remains active so the user may view the Delay values without risk of changing them, and the Display Mode button allows displaying the Delay values in milliseconds, feet or meters. Internal jumpers are available to enable or disable Bypass while in Front Panel Lockout mode. The default setting of these jumpers disables Bypass in Front Panel Lockout mode. Independent bypass relays provide a fail safe, hard-wired bypass in case of power loss. The AD 22d is a unity gain device with Sensitivity controls to provide proper internal levels for the audio converters. If the input signal is nominally +4 dBu, set the Sensitivity control fully counter clockwise (+4 dBu). For those unable to touch a cable and determine its signal level, Signal present and Clip indicators provide visual acknowledgment that the Input signal is within optimal range. Powered from a low voltage UL listed and CSA certified remote power supply (230 VAC supply meets LVD 73/23/EEC), the AD 22d is exempt from safety agency requirements, and may be used in any installation mandating agency compliance. |
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Rane C4 Quad Compressor |
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Rane
Rane C4 Compressor/Limiter/De-esser The C4 Quad Compressor/Limiter presents matchless feature, performance and ergonomic value. Rounding out Rane's popular series of analog-controlled digital products for live sound applications, the C4 offers four feature-packed channels of compression and limiting in a 2U package. Internal and external side-chain options offer a fully adjustable parametric EQ for frequency-dependent compression or de-essing. The oversampled brick wall limiter determines the maximum output level and operates independent of the compressor. Adjacent channels link in a master/slave arrangement to ensure accurate tracking of stereo inputs. Intuitive meters show side-chain level relative to Threshold, gain reduction and complete dynamic range at a glance. The C4 is a member of Rane's analog-controlled digital family of products, which includes the G4 Quad Gate / Ducker / Expander, AC 24 crossover, DEQ 60 and DEQ60L graphic equalizers, and the PEQ 55 parametric equalizer. Analog-Controlled Digital Analog controls (knobs, sliders) allow a performer or sound engineer to make precise adjustments, in real time. Digital signal processing (DSP) provides a degree of accuracy, consistency and flexibility that simply cannot be matched with a traditional analog design. The C4 combines the best of both worlds by using analog controls and high performance digital processing to achieve an unprecedented feature set. Benefits of this approach: Allows the use of advanced compression and de-essing techniques which are difficult or costly to implement in traditional analog designs. Improved accuracy and repeatability. Exceptional immunity to RF and electromagnetic interference. Lower cost per channel. |
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Rane CP64 Commercial Processor |
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Rane
Rane CP64 Commercial Processor The CP 64 is a versatile commercial preamplifier designed for use in restaurants, bars, health clubs and offices. The CP 64 is capable of serving two independent Zones. Two gated Paging inputs and four Program inputs are provided. Ports are provided for expansion of Page, Program or Zone signals. Four levels of priority are supported: Priority Page, Non-Priority Page, Priority Program, and Non-Priority Program. The versatility of the CP 64 allows a wide variety of system configurations while providing simple and intuitive controls. Two gated Paging Inputs capable of receiving mic or line level input are provided. Each features independent Mic/Line Pad, Gain Trim, detector Threshold, Zone Assign and Zone Level controls. Internally selectable phantom power is provided for each input. Each Paging input may be summed Pre- or Post- Zone Level control to allow setting Paging Level independent of Zone Level. An internal Paging Priority switch allows a 'master' pager to override non-priority paging in its assigned zones, while allowing true dual zone independent paging. If no Paging Priority is selected, the Paging inputs mix together for applications like karaoke. Four stereo Program inputs are provided with independent Input Level controls. Any one of the four Program inputs may be independently assigned in each Zone. One of the Program inputs is a gated Priority Program input. When signal is detected at its input, it overrides any non-priority Program selection in the assigned Zones. The Priority detector features internal, adjustable Threshold and Release-Time controls. The CP 64 has two Zone outputs: Zone 1 is stereo: Zone 2 is mono. Each Zone features independent: Level, Program Select, Ducker On/Off, Ducker Depth, Servo-Locked-Limiter, and 7 Band EQ (+/-12 dB). An optional security cover is available for the CP 64's front panel. Front panel Ducker Depth controls are screwdriver adjust. All other front panel knobs can be removed and replaced with hole plugs. The remote controls allow blank Decora switch covers to act as remote control security covers. The remote knobs can also be replaced with hole plugs. |
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Rane DEQ60 2 Channel Graphic Equalizer |
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Rane
Rane DEQ60 2 Channel Graphic Equalizer When the term "graphic equalizer" was first coined, the intent was to provide a device that allowed the user to "draw" the desired frequency response using slider controls on the unit's front panel. Thus, the Holy Grail of graphic equalizers is a device with a response that truly matches the slider settings. For years, this seemingly unobtainable goal resulted in products based on the fine art of compromise - until now - until the DEQ 60. It's not Constant - not Proportional - It's Perfect! Digital Signal Processing (DSP) allows filter technology not possible with analog designs. Rane coined the term Perfect-QTM to describe the results (U.S. & international patents filed). The DEQ 60 is the world's first true graphic equalizer (i.e., one providing real mechanical front panel slide controls) whose output response precisely matches its front panel settings. Perfect-Q features virtually no band interaction and extremely low ripple between adjacent bands. Just to keep things interesting and flexible, fear not proportional-Q lovers, for each channel of the DEQ 60 is selectable between Perfect-Q or proportional-Q response. Features Perfect-QTM : What You See Is What You Get No EQ filter interaction Proportional-Q: Classic smooth response Independent Accelerated-SlopeTM 3-band full-cut tone controls Low-cut and High-cut filters Input and Output Level controls Eight segment metering for each Input and Output Two Boost / Cut ranges: 6 dB or 12 dB Each channel may use A or B channel controls * Stereo Linking * Two "analog memories" * A-curve / B-curve comparison 25 mm sliders with soft-touch faders Analog controlled DSP XLR, 1/4" TRS and Euroblock connectors Bypass switch (DSP), Bypass relay (power failure) Exceptional RF and magnetic immunity Universal internal switching power supply Includes 3.5" security cover |
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Rane DEQ60L 2 Channel Graphic Equalizer |
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Rane
Rane DEQ 60L 2 Channel Graphic Equalizer When the term "graphic equalizer" was first coined, the intent was to provide a device that allowed the user to "draw" the desired frequency response using slider controls on the unit's front panel. Thus, the Holy Grail of graphic equalizers is a device with a response that truly matches the slider settings. For years, this seemingly unobtainable goal resulted in products based on the fine art of compromise - until now - until the DEQ 60. It's not Constant - not Proportional - It's Perfect! Digital Signal Processing (DSP) allows filter technology not possible with analog designs. Rane coined the term Perfect-QTM to describe the results (U.S. & international patents filed). The DEQ 60 is the world's first true graphic equalizer (i.e., one providing real mechanical front panel slide controls) whose output response precisely matches its front panel settings. Perfect-Q features virtually no band interaction and extremely low ripple between adjacent bands. Just to keep things interesting and flexible, fear not proportional-Q lovers, for each channel of the DEQ 60 is selectable between Perfect-Q or proportional-Q response. |
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Rane ECB 62e Master Base Unit |
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Rane
Rane ECB 62e Master Base Unit The ECB 62e is the master controller for the ECM 82e Mixers. There are six Ports on the internal audio bridge with each Port consisting of a digitally selected five input audio mixer configured with the Port page in RaneWare. Global ECS controls are on the System page. This configuration disallows the connection of an Input to its Output, avoiding possible feedback (except Port 5). Each Port Input also provides for a selective automatic level control. The ECB 62e can accomodate one to six ECM 82e Mixers (8 channel mic or line mixers) on Port 1. The five other Port Inputs allow any other line level audio signals. The programmable parameters for the ECS are stored in non-volatile memory (no batteries). The ECB 62e comes with a security cover and remote power supply. ECS 62 Optional Plug-in card The ECS 62 is a plug-in card allowing the ECB 62e to accommodate stereo audio inputs. The ECS 62 installs by temporarily removing the top cover, and seating the card on top of the motherboard. Front panel trims are now accessible through a security panel, and additional connections become available at the rear panel. Mono jumpers are provided on the Port Outputs for either mono or stereo sources. The ECS 62 module is designated as the left channel, while the ECB 62 euroblocks constitute the right channel. |
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