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100 Ft 28 Channel Snake XLR 24 Sends 4 Returns + |
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Cbi
PROSOUND 28-Channel, 100 FT Microphone Snake This rugged 28-channel microphone snake is 100 feet long and ready to hit the road. It carries up to 24 microphone signals from the stage to your mixing board in one large convenient, time-saving cable. It also has four XLR returns for monitor channels or house output. Features: 24 XLR sends; 4 XLR returns Professional quality cable and parts Retractable handle on stage box for easier handling All metal connectors (locking style on stage box) Heavy duty housing with slanted face design for optimum visibility of channel numbers Metal wire mesh strain relief on stage box and fan out Color-coded channel ID and numbering system on fan Individually extruded pairs with spiral shielding for noiseless operation 100 FT length (custom lengths and configurations are also available by special order) Limited lifetime warranty |
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32 Channel Snake 24 Send 8 Return 150 Ft + |
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CBI
Audio Stage Box, 24 XLR Inputs 8 TRS 1/4" Returns, 150 ft. |
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Ableton LIVE-7-STE Music Prod Software Suite |
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Ableton
The Ableton Suite includes not only Live 7, the latest version of the award-winning music creation software, but 8 virtual instruments as well. These include Sampler (sampler), Operator (frequency modulation synth), Electric (classic electronic piano emulator), Tension (physical modeling string synth), Analog (vintage analog synth emulator), Drum Machines (classic drum machines sounds), Session Drums (acoustic drums), and Essential Instrument Collection 2 (wide range of acoustic and electric pianos, guitars, bass, drums, orchestral instruments, and more). Live 7 One of the ways Ableton Live software is an advantage to its users, especially in the live setting, is it's two main views which allow you to do all your work within a single application. The Session View is essentially a musical scratch pad. You can work out new ideas and improvise in a free and easy environment. Each cell in the Session View grid can hold a recording, MIDI file, or any other musical idea, whether they're recorded on the spot or dragged in from the browser. Then you can play your ideas in any order or any time you wish. The Arrangement View takes a more traditional, timeline-based approach to multitrack recording, MIDI sequencing, and other music production tasks. It will record all your actions as you improvise in the Session View, allowing you to edit them whenever you like. Either view you use is simple and basic enough to make your tasks simple and efficient, which is especially useful during a live performance. Elastic Audio With Live 7, you can automate the tempo and it will adjust the music, drum loops, multitrack creations - whatever you add - for you. Record it at whatever speed you're comfortable with, and then play it back until you find the pace you're intending to use it at. Apply a variable amount swing or use Live's Warp Marking function to arbitrarily adjust beats within a loop or audio file. This makes it easier to match music to the hit points or key frames if imported video, or fix timing errors, and with the Auto Warping feature, you can drag in an audio file and it will automatically be assimilated to the tempo you're working in. This makes Abelton Live 7 a great ally for DJs, soundtrack producers, and every day musicians alike. Uninterrupted Creative Flow The drag-and-drop interface lets you experiment, browse and preview audio files at the project tempo, in realtime, so you can record perfectly cut loops, add effects, and mix and match audio without stopping the music. You'll also get full support for your favorite VST and AU effects and instruments. Utilize quantized loop recording to go straight from recording into looped playback by simply hitting a button. To help uncomplicate things when you're working with a large quantity of effects, instruments, and numerous tracks, Live has a Freeze function that keeps things moving while you continue experimenting with your editing and automation. For Studios Live 7 is a wonderful partner in t |
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Akai EWI4000S Wind Ctrl W/ Built In Sound Module |
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Akai
AKAI Wind Controller The Akai Professional EWI4000S is a newly designed electronic wind controller. This musical tool incorporates several improvements in the development of MIDI/ Synth instrument capabilities. The EWI4000S has many of the long sought after controls and functions that are necessary for expressive performance. These benefits have been proven by its predecessors, but the EWI offers these features at a much lower price. There are several improvements to the design as well, such as having a built-in sound module, direct MIDI IN and Out, and other updated operating functions. These functions make playing the EWI4000 easier than any other electronic wind instrument. Since it would difficult to put all the knobs and buttons on the EWI-4000 that are needed to adjust the various parameters, the EWI4000S will come with a computer editor program to allow users to customize all their sounds ahead of time for live performance. This editor will come standard for Windows and Mac computers. All of your edited Programs can be stored inside the EWI4000S so you can recall your settings instantly during your performance. Features: Touch sensitive keys and Octave roller for quick and responsive playing Sensitive breath sensor for expressive dynamics Built-in Analog Modeling Synth sound module Built-in MIDI output for use with sound modules Effects: Chorus, Delay, Reverb Connections: phone jack (unbalanced), Headphone Output (1/8? stereo jack), MIDI Out x1, MIDI In x1, AC Adaptor input |
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Akai MPC-2500 Digital Audio Workstation Sampler |
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Akai
[subhead] ---> AKAI MPC2500 Music Production Center The Akai Professional MPC2500 Music Production Center combines a 64-track MIDI sequencer with a 32-voice 16-bit stereo digital sampler. The MPC is a rock-solid sequencing and drum programming machine with 16 velocity and pressure sensitive rubber pads. The unit allows you to sample more efficiently. This composition center is contained in one extremely powerful desktop unit. Features: Large graphic LCD display based on the friendly user interface of the MPC series MPC?s iconic ?feel? and ?groove? Velocity and pressure sensitive pads allow for expressive programming, with more pad banks Chopshop, Patched Phrase, Grid Edit, Effect and LFO sync, Mixer Automation and Input Thru Expanded Linear Pattern-based 100,000 notes, 64-track sequencer and 64 external MIDI channels 32-voice, 16-bit drum sampler equipped with 16MB of RAM with ability to hold 128 RAM Two MIDI inputs and four MIDI outputs Built-in USB Slave port for connection to a Windows or Mac OS computer Built-in 10 analog outputs Two 1/4?? stereo analog inputs and outputs with 16bit/44.1kHz sampling Master/slave synchronization capabilities: MIDI clock Two assignable footswitch inputs |
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Akai MPC-500 Sampling Music Production Station |
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Akai
AKAI MPC-500 SAMPLING MUSIC PRODUCTION STATION Akai Professional's MPC500 is the first truly portable all-in-one Music Production Center. Affording artists the ability to sample and create music on-the-go, the MPC500 offers many of the same features users have grown to love in the MPC line. From rock solid sequencing and programming to expandable memory and storage options, the MPC500 is only small in physical size. Compatible with other MPC products, the MPC500 extends users' studios to fit in with their mobile lifestyles. Specifications: Display: 2 x 16 character LCD w/back light Memory card slot:Compact Flash (The size of the compact flash card that MPC500 can handle is from32MB to 2GB) Size: 266mm x 175mm x 44mm Weight: 1.34 kg Power requirement: 12v DC 600mA (negative tip) Battery life: Approximately 4.5 hours of continuous use with LCD backlight ON Sound Generator: Sampling rate: 44.1kHz Memory capacity: 16MB standard (11.5MB for sound memory), expandable to 128MB Recording time: 136sec. (16MB, MONO) or 24m28sec. (128MB, MONO) Memory expansion slot: 1 x for optional EXM128 Data format: 16-bit linear Polyphony: up to 32 (dependent on processing) Dynamic filtering: 2-pole lowpass filter per voice Preset sound memory: 5MB Number of programs: 24 Effects: Effects: 2 stereo effects and Master effect Effect type: Chorus, Flanger, Bit grunger, 4 band EQ, Compressor, Phase shifter, Tremolo, Flying pan, Reverb, Delay Master effect: 4 band EQ, Compressor Sequencer: Maximum events: 100,000 notes Resolution: 96 parts per 1/4-note Sequences: 99 Tracks per sequence: 48 MIDI output channels: 16 Song mode: 20 songs, 250 steps per song Drum pad: 12 (velocity and pressure sensitive) Drum pad banks: 4 Sync mode: MIDI clock Inputs/Outputs: Record input (L and R): 1/4-inch stereo phone x 2, pseudo balanced -40dBu, input impedance 9k ohm Max. Input level: +10dBu Stereo output (L and R): 1/4-inch phone x 2 pseudo balanced +11dBu, output impedance 1k Ohms, Max. Output level: +5 dBu Phones output: 1/4-inch stereo phone x 1, 200mW / 100 ohms MIDI inputs: 1 x 5-pin DIN MIDI outputs: 1 x 5-pin DIN USB: Slave connector x 1, USB MASS STORAGE CLASS support (Windows 2000/ME/XP or later version, or Mac OS 9.x/10.x or later version.) |
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Akai MPC-5000 Beat Production Sampler Workstation |
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Roland
LEGENDARY MPC FEEL AND WORKFLOW WITH A GREATLY EXPANDED FEATURE SET The MPC series set the standard for beat production. What would it take to make the ultimate MPC? Dozens of engineers, 20 years of experience and a new synth and drum sampling engine unlike any MPC ever. Introducing the MPC5000; the new standard for music production. The MPC5000 is the first MPC ever to include 8-track streaming hard disk recording, a 20-voice, 3-oscillator analog synthesizer with arpeggiator, a new sequencing engine with 960 ppq resolution, pad and track muting and mixing, 64 continuous sample tracks. There's even a new FX engine with 4 FX buses and 2FX per bus. In addition, the MPC5000 features a 64-voice drum/phrase sampler with 64MB memory - expandable up to 192MB. The display is twice the size of the MPC2500 and MPC1000 so waveforms appear crystal-clear. Integrated Chop Shop 2.0 now supports stereo chops and Patched Phrases. The MPC5000 is also the first MPC to include Random and Cycle sample playback in addition to velocity Zone Play. A turntable preamp is also included. The MPC5000's virtual analog synth eliminates need for external analog synth modules or buggy software based synthesizers. The new 8-track direct to disk recorder lets you produce your whole song in the MPC and then mix it down with the internal sequenced programs and any input thru material. Add the optional CD/DVD drive and you can then burn an audio or data CD or your mix. Over 650MB of premium-quality sounds from Loopmasters are included to get you up and running with pro-quality production in seconds. Features: 64-voice drum/phrase sampler with 64MB memory built-in. Expandable up to 192MB RAM Three-oscillator virtual analog synth engine with built-in arpeggiator Over 300 Virtual Analog synth presets included Eight tracks of Direct-to-Hard Disk recording Over 40 all new effects available within a modular 4-bus effects processor Master compressor and equalizer 960 ppq resolution Built-in hard disk drive Optional CD-R/DVD drive USB 2.0 port for computer connectivity CF Type-2 card slot (up to 2GB) Chop-Shop 2.0 - slices a stereo loop into individual samples with automatic pad assignment Patched Phrases - creates multiple splits in looped samples to ensure proper tempo sync without changing pitch Continuous Sample Track - ensures samples play in perfect sync no matter where you start the beat in a loop 12 Q-link controllers for internal automation, external MIDI control and quick parameter editing 240 x 128 hinged backlit LCD 10 built-in analog outputs, plus 8 ADAT-optical outputs and stereo S/PDIF IO Powerful new multimode filter Two MIDI inputs and Four MIDI outputs Turntable phono inputs with RIAA pre-amp XLR / 1/4" combo jacks with selectable mic/line levels Sample library provided by Loopmasters.com Specifications: |
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Akai MPC1000 Sampling Music Production Station |
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Akai
AKAI MPC1000 MUSIC PRODUCTION CENTER: MPC Power And Flexibility In A Portable Package .The Akai MPC1000 is small, perfectly formed and not much bigger than an A4 sheet of paper. But Akai has not compromised in the slightest to produce this diminutive MPC. On the contrary - the MPC1000 inherits many of the major features of its older, bigger siblings but in a compact form that makes it ideal for carrying around - to your friends, to a gig, to a session - wherever.. .. .As part of its lineage, the MPC1000 features the 16 characteristic velocity and pressure sensitive pads that have been an established (and essential) component of the MPC series since its inception ? arguably, they are the best pads on any drum machine past or present! Also retained is the MPC's legendary "feel" and "groove" so that you can be sure that your beats and sequences just swing. It also features the MPC60's intuitive transport and locate controls, the unique NOTE REPEAT function plus new additions such as the two Q-Link sliders that allow realtime interaction with tuning, filter cutoff, layer switching, attack and decay. . .. .Add to these a well established, friendly and intuitive user interface, two separate multi-effects processors (plus a master output effects processor!), resonant multi-mode filters, 4-way sample layering and velocity switching per pad, two MIDI ins and 32 MIDI channels via the two MIDI outputs, multiple audio outputs as standard, footswitch inputs for "hands-free" control and you have most of what you?d expect to find in a rugged, dependable "switch on and work" and "out the carton" solution to computer sequencer headaches. . .. .The use of compact flash as a storage medium, makes for more than enough room to save your sounds and grooves in an extremely compact, portable and readily available format and present testing has verified the use of up to 2GB cards. Furthermore, the MPC1000 supports the "MASS STORAGE CLASS" USB standard. What this means is that when connected to a Mac or PC via the MPC1000's USB port, the Mac/PC sees the MPC1000 as a Compact Flash card reader without the need for any cumbersome driver installation on your computer. This simple implementation allows you to simply drag-and-drop data between your desktop and the MPC1000's CF card to build up sound library on your CF card or vice versa to back up data on your CF card. With regard to internal memory, you get 16MB of onboard RAM as standard but this can be expanded to a whopping 128MB. . .. .The "three Fs" are features, functions and facilities. Behind the stunning ?retro? cosmetic styling that pays homage to a halcyon era of dedicated drum machines, the new MPC1000 is a thoroughly modern sampling drum machine and 64-track MIDI sequencer that is more than equipped with features, functions and facilities to let you explore new musical ideas without restriction.. .. .Impressive specs, good looks, loads of features and everything else aside, the best news of all is that this powe |
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AKG C4000B 3-Pattern Condenser Microphone |
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AKG
AKG C4000B 3-PATTERN CONDENSER MICROPHONE The genuine 1-inch dual-diaphragm condenser transducer with selectable cardioid, omnidirectional, and hypercardioid polar patterns will enchant you with its unique state-of-the-art sound. Designed for miking up vocals, brass, acoustic and electric guitar, and kick drum, the C 4000 B can handle every recording situation. Exceptionally high headroom and extremely low self noise put the C 4000 B among the condenser microphones with the widest dynamic range available today and it will give equally excellent results in the studio and on stage. A switchable 10-dB preattenuation pad allows the C 4000 B to be used for close-in miking of instruments producing extremely high sound pressure levels such as guitar amps etc. A switchable bass cut filter eliminates low-frequency noise. |
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AKG C414BXL-II Condenser Mic With CK12 Csule |
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AKG
Akg C414BXLII Condenser Mic With CK12 Capsul A classic microphone with a distinctive timbre especially designed for recording of solo vocals and solo instruments. With the introduction of the NeXt Generation C 414 B-XL models, AKG sets new benchmarks for useful features, improved technical specifications, ease of use and available accessories. All of these improvements are answers to requests from ever-demanding recording studios, broadcast stations and concert engineers, but with the basic sonic character of the legendary C 414 unaltered. Features: High sensitivity and extremely low self noise Five switchable polar patterns for placement and application flexibility Two-color LEDs provide quick visual indication of selected polar pattern and output overload Elastic capsule suspension greatly minimizes structurally-transmitted noise from chassis vibration H 85 professional shock mount/stand adapter, PF 80 external pop filter and W 414 X external windscreen. High sound pressure level capability and wide dynamic range Completely immune to electrostatic and electromagnetic interference from digital gear, computer monitors, etc. thanks to solid metal housing and transformerless output stage Three switchable bass cut filters and three pre-attenuation pads with LEDs for quick visual indication All switchable components operate in low impedance circuits for ultra-high reliability even in extremely humid conditions Optional R 414 remote control unit (under development) offers full control of all switchable parameters via standard microphone cable and 3-pin XLR-type connectors |
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AKG C414BXLS Professional Studio Condenser Mic |
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AKG
Akg C414BXLS Professional Studio Condenser Mic A reference-quality microphone especially used for accurate, beautifully-detailed pickup of any acoustic instrument. With the introduction of the NeXt Generation C 414 B-XL models, AKG sets new benchmarks for useful features, improved technical specifications, ease of use and available accessories. All of these improvements are answers to requests from ever-demanding recording studios, broadcast stations and concert engineers, but with the basic sonic character of the legendary C 414 unaltered. Features: High sensitivity and extremely low self noise Five switchable polar patterns for placement and application flexibility Two-color LEDs provide quick visual indication of selected polar pattern and output overload Elastic capsule suspension greatly minimizes structurally-transmitted noise from chassis vibration H 85 professional shock mount/stand adapter, PF 80 external pop filter and W 414 X external windscreen High sound pressure level capability and wide dynamic range Completely immune to electrostatic and electromagnetic interference from digital gear, computer monitors, etc. thanks to solid metal housing and transformerless output stage Three switchable bass cut filters and three pre-attenuation pads with LEDs for quick visual indication All switchable components operate in low impedance circuits for ultra-high reliability even in extremely humid conditions Optional R 414 remote control unit (under development) offers full control of all switchable parameters via standard microphone cable and 3-pin XLR-type connectors |
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AKG C4500B-BC Large Diaphragm Condenser Microphone |
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Akg
AKG LARGE DIAPHRAGM CONDENSER BROADCAST MICROPHONE The C 4500 B-BC meets the strictest requirements of digital audio with its ultra-low 8 dB-A self-noise and 145 / 165 dB maximum SPL capability. Its end-address format and its unique acoustical design allow the microphone to be used comfortably for on-air broadcast work and for easy positioning in front of instruments such as bass drum, upright bass, baritone saxophone, guitar amps and other high-output sources. Its patented internal 3-stage filter and very low up-close bass boost allow it to be positioned close to the source to accurately capture every nuance of the sound. With its superior audio performance, high SPL capability, low proximity effect and insensitivity to RF and electro-magnetic interference, the C4500 B-BC is the perfect tool for broadcast and recording studios. Excellent sound, useful standard accessories and outstanding price/performance makes this large-diaphragm microphone a necessity for every studio. Features: For live broadcasting and productions Recording studio (instruments and vocals) and post production Film sound Dubbing |
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AKG C480B Small Diaphragm Studio Microphone |
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Akg
AKG C480B SMALL DIAPHRAGM STUDIO MICROPHONE The C 480 B is part of a system designed specifically for excellent audio quality and maximum flexibility. Its electronic circuitry coupled to a transformerless output stage assures completely linear transfer characteristics across the entire audio bandwidth, while achieving self-noise figures close to the theoretical minimum. This, in combination with a typical SPL handling capability of 140 dB broadband means a dynamic range exceeding 125 dB, making the system suitable for the most critical digital recording applications. Gold plated switch and connector contacts guarantee consistent performance. A specially designed output stage drives difficult loads (e.g. excessively long cables) with no signal degradation. Two sets of switches offer a two-step highpass filter, and two gain manipulation stages of either ?10 dB or +6 dB. Features: Ultra low-noise preamplifier Three selectable gain settings: 0, +6, -10 dB High headroom |
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