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Access Virus TI Desktop Synthesizer Module |
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Access
Access is excited to announce the new VIRUS Total Integration (TI) Line of synthesizers, leading the world in a completely new direction with musical instrument and pro-audio convergence. TOTAL INTEGRATION uses innovative technology to greatly expand the VIRUS Synthesizer, resulting in an advanced stage/standalone instrument, while simultaneously extending the product capabilities with a suite of compelling studio integration features. New synth features include greatly increased polyphony, 2 new oscillator types, a per-patch programmable arpeggiator, 16x2 delay/reverb fx, embedded singles in multi mode, and much more. The new TI products link to your computer with VIRUSControl™, a companion software product which ports the hardware synth into a host sequencer for use as a sample-accurate VST/AU instrument, simultaneously offering 2-way audio and MIDI connectivity, control surface functionality, editor and librarian functions, and more. Other Features: Dual DSP system with over 80 stereo voices under average load. (Load depends on which oscillator / filter model has been chosen)VirusControl™ VST and Apple Audio Unit Plug-for Mac OS X and Windows XP. The remote seamlessly integrates the Virus TI into your sequencer, making it feel just like a plug-inThe Virus TI’s Audio and MIDI inputs and outputs can be used by the sequencer application as an audio and MIDI interfaceThe Virus TI is the first hardware synthesizer with sample-accurate timing and delay-compensated connection to your sequencerWaveTable Oscillators for a completely new array of sounds. WaveTable and conventional Virus oscillators and filters can be mixedHyperSaw™ oscillators with up to 9 sawtooths - each with parallel sub oscillator per voice (that’s over 1800 stereo oscillators @100 voices!)Independent delay and reverb for all 16 multi mode slots129 parallel effects. There is reverb and delay, chorus, phaser, ring modulator, distortion, 3 band EQ and the Analog Boost bass enhancer2 multi-mode filters (HP, LP, BP, BS) and the Analog Filter (modelled after the MiniMoog™ cascade filter with 6-24 dB Slope and self-oscillation)Dedicated remote mode turns the Virus TI into an universal remote control for VST / AU plug-ins and external synthesizers. 6 balanced outputs with +4 dB level and switchable soft limiting algorithm. Studio grade 192 khz D/A converters with S/PDIF digital I/O. 2x24 bit inputs. Surround sound capabilitiesTap tempo button. The algorithm is based on Access’ Sync Xtreme technologyProgrammable arpeggiator pattern for every patchKnob quantise for creating stepped controller movements. The stepping automatically syncs to the Virus clock or an incoming MIDI clock3 LFOs with 68 waveforms to choose from. 2 super fast ADSTR envelopesExtended memory: 512 RAM patches and 2048 ROM patches (rewritable)Adaptive control smoothing for jitter-free modulations on all important parametersNew multi mode with embedded patchesCompatible with USB 2.0 specif |
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Access Virus TI Desktop Synthesizer Module Open Box |
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Access
Access is excited to announce the new VIRUS Total Integration (TI) Line of synthesizers, leading the world in a completely new direction with musical instrument and pro-audio convergence. TOTAL INTEGRATION uses innovative technology to greatly expand the VIRUS Synthesizer, resulting in an advanced stage/standalone instrument, while simultaneously extending the product capabilities with a suite of compelling studio integration features. New synth features include greatly increased polyphony, 2 new oscillator types, a per-patch programmable arpeggiator, 16x2 delay/reverb fx, embedded singles in multi mode, and much more. The new TI products link to your computer with VIRUSControl™, a companion software product which ports the hardware synth into a host sequencer for use as a sample-accurate VST/AU instrument, simultaneously offering 2-way audio and MIDI connectivity, control surface functionality, editor and librarian functions, and more. Other Features: Dual DSP system with over 80 stereo voices under average load. (Load depends on which oscillator / filter model has been chosen)VirusControl™ VST and Apple Audio Unit Plug-for Mac OS X and Windows XP. The remote seamlessly integrates the Virus TI into your sequencer, making it feel just like a plug-inThe Virus TI’s Audio and MIDI inputs and outputs can be used by the sequencer application as an audio and MIDI interfaceThe Virus TI is the first hardware synthesizer with sample-accurate timing and delay-compensated connection to your sequencerWaveTable Oscillators for a completely new array of sounds. WaveTable and conventional Virus oscillators and filters can be mixedHyperSaw™ oscillators with up to 9 sawtooths - each with parallel sub oscillator per voice (that’s over 1800 stereo oscillators @100 voices!)Independent delay and reverb for all 16 multi mode slots129 parallel effects. There is reverb and delay, chorus, phaser, ring modulator, distortion, 3 band EQ and the Analog Boost bass enhancer2 multi-mode filters (HP, LP, BP, BS) and the Analog Filter (modelled after the MiniMoog™ cascade filter with 6-24 dB Slope and self-oscillation)Dedicated remote mode turns the Virus TI into an universal remote control for VST / AU plug-ins and external synthesizers. 6 balanced outputs with +4 dB level and switchable soft limiting algorithm. Studio grade 192 khz D/A converters with S/PDIF digital I/O. 2x24 bit inputs. Surround sound capabilitiesTap tempo button. The algorithm is based on Access’ Sync Xtreme technologyProgrammable arpeggiator pattern for every patchKnob quantise for creating stepped controller movements. The stepping automatically syncs to the Virus clock or an incoming MIDI clock3 LFOs with 68 waveforms to choose from. 2 super fast ADSTR envelopesExtended memory: 512 RAM patches and 2048 ROM patches (rewritable)Adaptive control smoothing for jitter-free modulations on all important parametersNew multi mode with embedded patchesCompatible with USB 2.0 specif |
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Access Virus TI Keyboard Synthesizer |
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Access
Access is excited to announce the new VIRUS Total Integration (TI) Line of synthesizers, leading the world in a completely new direction with musical instrument and pro-audio convergence. TOTAL INTEGRATION uses innovative technology to greatly expand the VIRUS Synthesizer, resulting in an advanced stage/standalone instrument, while simultaneously extending the product capabilities with a suite of compelling studio integration features. New synth features include greatly increased polyphony, 2 new oscillator types, a per-patch programmable arpeggiator, 16 - 2 delay/reverb fx, embedded singles in multi mode, and much more. The new TI products link to your computer with VIRUSControl™, a companion software product which ports the hardware synth into a host sequencer for use as a sample-accurate VST/AU instrument, simultaneously offering 2-way audio and MIDI connectivity, control surface functionality, editor and librarian functions, and more. Other Features: Dual DSP system with over 80 stereo voices under average load. (Load depends on which oscillator / filter model has been chosen)VirusControl™ VST and Apple Audio Unit Plug-for Mac OS X and Windows XP. The remote seamlessly integrates the Virus TI into your sequencer, making it feel just like a plug-inThe Virus TI’s Audio and MIDI inputs and outputs can be used by the sequencer application as an audio and MIDI interfaceThe Virus TI is the first hardware synthesizer with sample-accurate timing and delay-compensated connection to your sequencerWaveTable Oscillators for a completely new array of sounds. WaveTable and conventional Virus oscillators and filters can be mixedHyperSaw™ oscillators with up to 9 sawtooths - each with parallel sub oscillator per voice (that’s over 1800 stereo oscillators @100 voices!)Independent delay and reverb for all 16 multi mode slots129 parallel effects. There is reverb and delay, chorus, phaser, ring modulator, distortion, 3 band EQ and the Analog Boost bass enhancer2 multi-mode filters (HP, LP, BP, BS) and the Analog Filter (modelled after the MiniMoog™ cascade filter with 6-24 dB Slope and self-oscillation)Dedicated remote mode turns the Virus TI into an universal remote control for VST / AU plug-ins and external synthesizers. 6 balanced outputs with +4 dB level and switchable soft limiting algorithm. Studio grade 192 khz D/A converters with S/PDIF digital I/O. 2x24 bit inputs. Surround sound capabilitiesTap tempo button. The algorithm is based on Access’ Sync Xtreme technologyProgrammable arpeggiator pattern for every patchKnob quantise for creating stepped controller movements. The stepping automatically syncs to the Virus clock or an incoming MIDI clock3 LFOs with 68 waveforms to choose from. 2 super fast ADSTR envelopesExtended memory: 512 RAM patches and 2048 ROM patches (rewritable)Adaptive control smoothing for jitter-free modulations on all important parametersNew multi mode with embedded patchesCompatible with USB 2.0 spec |
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Access Virus TI Polar Keyboard Synthesizer |
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Access
Access is excited to announce the new VIRUS Total Integration (TI) Line of synthesizers, leading the world in a completely new direction with musical instrument and pro-audio convergence. TOTAL INTEGRATION uses innovative technology to greatly expand the VIRUS Synthesizer, resulting in an advanced stage/standalone instrument, while simultaneously extending the product capabilities with a suite of compelling studio integration features. New synth features include greatly increased polyphony, 2 new oscillator types, a per-patch programmable arpeggiator, 16 - 2 delay/reverb fx, embedded singles in multi mode, and much more. The new TI products link to your computer with VIRUSControl™, a companion software product which ports the hardware synth into a host sequencer for use as a sample-accurate VST/AU instrument, simultaneously offering 2-way audio and MIDI connectivity, control surface functionality, editor and librarian functions, and more. Other Features: Dual DSP system with over 80 stereo voices under average load. (Load depends on which oscillator / filter model has been chosen)VirusControl™ VST and Apple Audio Unit Plug-for Mac OS X and Windows XP. The remote seamlessly integrates the Virus TI into your sequencer, making it feel just like a plug-inThe Virus TI’s Audio and MIDI inputs and outputs can be used by the sequencer application as an audio and MIDI interfaceThe Virus TI is the first hardware synthesizer with sample-accurate timing and delay-compensated connection to your sequencerWaveTable Oscillators for a completely new array of sounds. WaveTable and conventional Virus oscillators and filters can be mixedHyperSaw™ oscillators with up to 9 sawtooths - each with parallel sub oscillator per voice (that’s over 1800 stereo oscillators @100 voices!)Independent delay and reverb for all 16 multi mode slots, 129 parallel effects. There is reverb and delay, chorus, phaser, ring modulator, distortion, 3 band EQ and the Analog Boost bass enhancer2 multi-mode filters (HP, LP, BP, BS) and the Analog Filter (modelled after the MiniMoog™ cascade filter with 6-24 dB Slope and self-oscillation)Dedicated remote mode turns the Virus TI into an universal remote control for VST / AU plug-ins and external synthesizers. 6 balanced outputs with +4 dB level and switchable soft limiting algorithm. Studio grade 192 khz D/A converters with S/PDIF digital I/O. 2x24 bit inputs. Surround sound capabilitiesTap tempo button. The algorithm is based on Access’ Sync Xtreme technologyProgrammable arpeggiator pattern for every patchKnob quantise for creating stepped controller movements. The stepping automatically syncs to the Virus clock or an incoming MIDI clock3 LFOs with 68 waveforms to choose from. 2 super fast ADSTR envelopesExtended memory: 512 RAM patches and 2048 ROM patches (rewritable)Adaptive control smoothing for jitter-free modulations on all important parametersNew multi mode with embedded patchesCompatible with USB 2.0 sp |
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ADK A-48 Vintage Valve Series Condenser Microphone |
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ADK
This is a Class A tube switchable 9-polar pattern condenser mic with dual 1-inch diaphragms. The A-48 is a large diaphragm tube condenser microphone featuring a transverse mounted 12AX7 tube, 1.07" dual diaphragms, external power supply, and a vintage sound that will resurrect that 'classic' tube sound. It includes a 6072A valve, external power supply, shock mount and a premium aluminum flight case. |
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ADK TC Cardioid Tube Condenser Microphone |
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ADK
This has considerably more richness and character, handled the sibilants and plosives much more smoothly [than] another large-diaphragm tube mic that cost twice as much as the ADK, and was easier for the (male) talent to "work" closely without bumping up against the proximity effect. Applications include male and female vocals, acoustic and electric guitar, reed Instruments (sax), strings (violin, viola, cello, and contrabass), drum overheads, or anywhere you would use a Vintage Tube Microphone. |
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AKG C 4000 B Stage and Studio Microphone |
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AKG
The genuine 1-inch dual-diaphragm condenser transducer with selectable cardioid, omnidirectional, and hypercardioid polar patterns will enchant you with its unique state-of-the-art sound. Designed for miking up vocals, brass, acoustic and electric guitar, and kick drum, the C 4000 B can handle every recording situation. Exceptionally high headroom and extremely low self noise put the C 4000 B among the condenser microphones with the widest dynamic range available today and it will give equally excellent results in the studio and on stage. A switchable 10-dB preattenuation pad allows the C 4000 B to be used for close-in miking of instruments producing extremely high sound pressure levels such as guitar amps etc. A switchable bass cut filter eliminates low-frequency noise. One of the most silent condenser microphones available todayUp front sound in the mixSelectable cardioid, hypercardioid, and omnidirectional polar patterns for every recording situation |
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AKG C 414 B-XLII Stage And Studio Condenser Microphone |
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AKG
A classic microphone with a distinctive timbre especially designed for recording of solo vocals and solo instruments. With the introduction of the NeXt Generation C 414 B-XL models, AKG sets new benchmarks for useful features, improved technical specifications, ease of use and available accessories. All of these improvements are answers to requests from ever-demanding recording studios, broadcast stations and concert engineers, but with the basic sonic character of the legendary C 414 unaltered. High sound pressure level capability and wide dynamic rangeCompletely immune to electrostatic and electro-magnetic interference from digital gear, computer monitors, etc. thanks to solid metal housing and transformerless output stageThree switchable bass cut filters and three pre-attenuation pads with LEDs for quick visual indicationAll switchable components operate in low impedance circuits for ultra-high reliability even in extremely humid conditionsOptional R 414 remote control unit (available by the end of 2004) offers full control of all switchable parameters via standard microphone cable and 3-pin XLR-type connectorsHigh sensitivity and extremely low self noiseFive switchable polar patterns for placement and application flexibilityTwo-color LEDs provide quick visual indication of selected polar pattern and output overloadElastic capsule suspension greatly minimizes structurally-transmitted noise from chassis vibrationH 85 professional shock mount/stand adapter, PF 80 external pop filter and W 414 X external windscreen. |
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AKG C 414 B-XLS Stage And Studio Condenser Microphone |
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AKG
A reference-quality microphone especially used for accurate, beautifully-detailed pickup of any acoustic instrument. With the introduction of the NeXt Generation C 414 B-XL models, AKG sets new benchmarks for useful features, improved technical specifications, ease of use and available accessories. All of these improvements are answers to requests from ever-demanding recording studios, broadcast stations and concert engineers, but with the basic sonic character of the legendary C 414 unaltered. High sound pressure level capability and wide dynamic rangeCompletely immune to electrostatic and electro-magnetic interference from digital gear, computer monitors, etc. thanks to solid metal housing and transformerless output stageThree switchable bass cut filters and three pre-attenuation pads with LEDs for quick visual indicationAll switchable components operate in low impedance circuits for ultra-high reliability even in extremely humid conditionsOptional R 414 remote control unit (available by the end of 2004) offers full control of all switchable parameters via standard microphone cable and 3-pin XLR-type connectorsHigh sensitivity and extremely low self noiseFive switchable polar patterns for placement and application flexibilityTwo-color LEDs provide quick visual indication of selected polar pattern and output overloadElastic capsule suspension greatly minimizes structurally-transmitted noise from chassis vibrationH 85 professional shock mount/stand adapter, PF 80 external pop filter and W 414 X external windscreen. |
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AKG SolidTube Tube Studio Condenser Microphone |
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AKG
The AKG SolidTube, the flagship of the Project Studio Line, is the first microphone that combines the sound of classic vacuum tube technology and the benefits of advanced solid state componentry at an affordable price. Mechanical ruggedness, high SPL capability, and low self noise are as natural SolidTube fea-tures as its warm tube sound. The heart of the SolidTube is the ECC 83 (12AX7) vacuum tube. It provides excellent transfer characteristics and is readily available from musical instrument dealers carrying spare parts for guitar amps. A ground lift switch on the power supply eliminates unexpected ground loops quickly and easily. Standard accessories include a spider type shock mount, pop screen, power supply, cable, and strong carrying case. Tube microphones are very popular for their warm sound. The SolidTube emphasizes even harmonics and adds low-level distortion that the ear perceives as an enhancement to the sound. Vacuum tube large-diaphragm microphoneCardioid polar pattern for multiplicity of applicationsExceptionally natural, warm soundTube sound enriches digital recordingsComplete with many useful accessories and aluminum carrying case |
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AKG WMS400/PT/55 Agile Cardioid Lavalier Wireless System |
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AKG
This Package put together by AKG includes a SR 400 UHF diversity reciever, PT 400 compact UHF body pack transmitter, and a lavalier clip on microphone. The AKG WMS 400 is your best choice for any application calling for a solution that is more flexible than a simple plug-and-play system yet easy to set up and operate. The WMS 400 provides cost-efficient, high-performance solutions for situations where several radio mics will be used simultaneously, including gigs at small clubs, small stages, or regional events. Using several single-channel systems has its limitations and may simply be too much for the available radio band. SR 400The SR 400 diversity receiver is your best choice for cost-efficient, high-performance multichannel systems. Up to 12 channels can be used simultaneously within the same subband and even large systems will work smoothly in environments hostile to RF transmission. Being compatible with professional WMS 4000 antenna splitters, power supplies, and high quality antennas, the WMS 400 enables you to set up highly complex wireless systems. In Auto Setup mode, the receiver will scan the available bands, find an interference-free channel, and transmit the related frequency data to the assigned transmitter via infrared. This technique significantly reduces the time it takes to set up a multichannel system. A Rehearsal function identifying dead spots, a programmable display clearly indicating all important system parameters, two-color display backlighting warning the user of critical conditions from a distance, and a transmitter battery status display on the receiver enhance reliability and add to ease of use. Features include: Integrated frequency scanner with frequency management database Up to 12 channels can be used simultaneously in each subband Infrared data transmission link Rehearsal function for finding dead spots Programmable warning functions using two-color display backlightingPT 400The PT 400 is a high-performance, compact bodypack transmitter for a host of applications. Many innovative features enhance both system reliability and user friendliness. An LC display indicates all important system data at a glance, including the selected frequency in MHz or as a Preset subchannel, available battery capacity in hours, a warning when battery capacity is low, as well as the current transmission mode. Once you have set a frequency on the receiver, an infrared transmission link will feed the related data to the assigned transmitter within seconds, making the setting up of large multichannel systems child’s play. The PT 400 uses a rugged case, and the mini XLR input allows you to connect a wide selection of microphones and instruments. A special jack lets you connect an optional external mute switch enabling the user to mute the audio signal even if the transmitter is hidden in the clothes. Features include: Infrared data download link for quick setupBattery status display and data transmissionConnector for external mute |
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Alesis A6 Andromeda Analog Synthesizer |
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Alesis
In a world filled with "almost-analog" and "sort-of-analog" synthesizers, Andromeda is the real deal: a high-performance instrument fueled by true analog synth technology. In a single, powerful package you'll find a huge range of tonal possibilities: searing leads, warm pads, fat bass lines, extreme sound effects, and more. With Andromeda you can get all these sounds simultaneously, while enjoying the creative control to reach out, grab knobs, and instantly reshape Andromeda's mind-blowing sonics. Polyphony: 16-voice, 16-channel multi-timbralSynthesis Method: True analog subtractiveOscillators: 2 oscillators (with sub-oscillation) per voice, 5 waveforms available (sine, triangle, square, up saw, down saw)Filters: 2-pole multimode resonating filter per voice, 4-pole lowpass resonating filter per voiceProgram Memory: 256 preset and 128 user-definedMix Memory: 128 user-definedAudio Outputs: 16 mono outputs, one for each of 16 voices (eight 1/4" TRS jacks); Stereo main outputs (two 1/4" jacks); 2 mono aux outputs (two 1/4" jacks); Stereo headphone output (1/4" TRS jack)Audio Inputs: Two 1/4" jacksExternal Audio Filter Inputs: Three 1/4" jacks š one each for Voices 1-16, Voice 15, and Voice 16Pedal Jacks: Pedal/CV, Switch and Sustain š each with dedicated 1/4" jackMIDI Connections: MIDI In, Out, ThruMemory Card Slot: PCMCIA-formatPower: 100-230 VAC, 50/60 Hz 30WDimensions: Height 122mm (4.8") x Width 1019mm (40.1") x Depth 409mm (16.1")Weight: 21 kg (47lbs.) |
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Alesis ADATHD24 Hard Disk Recorder |
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Alesis
Introducing the world’s first 24-track, 24-bit/96kHz hard disk recorder designed to fit comfortably into any standard ADAT environment - and match ADAT’s legendary performance and affordability. With their patent-pending method of writing to the hard drive, HD24 is the first hard disk recorders built from the ground up exclusively for the purpose of recording music instead of data - resulting in remarkable stability and performance. And yet, thanks to their use of standard, low-cost IDE computer drives, the recording media costs no more than traditional ADAT tape on a per track basis. Two hot-swappable media bays provide convenient access to the recording drives, and allow the user to backup data in just minutes. You can edit tracks internally or easily transfer to computer via built-in Ethernet. They’re the only HD recorders on the market with standard ADAT Optical and ADAT Sync, enabling them to work efficiently with existing systems. And they offer the same exceptional user-friendly interface ADAT users have come to expect. High sample rates for top-notch audio Fully loaded standard connections include 24 analog inputs and outputs Dual recording bays utilize standard low-cost, removable IDE drives so media costs don’t break the bank Multiple units can be synchronized to create a larger system, and easily integrated into an existing ADAT system Everything you need for a world-class digital recording setup: MIDI in/out, MTC out, Ethernet, ADAT Sync in/out, and Word Clock in. |
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